Skip to main content

Privacy Policy


We are serious about your privacy

Drama Dispatch's Privacy Policy is in line with the government’s Privacy Guidelines and Spam Act issued on 17th September 2001, and fully effective as of 11th April 2004 (see http://www.privacy.gov.au/business/index.html)

Very important aspects of our policy are:

  • Personal details provided by you to Drama Dispatch through electronic responses from this site will not be forwarded, sold, or made available in any way to any third party.
  • However, Drama Dispatch may communicate with you again with other information that is complimentary to your original request.
  • Each of these communications will have clear ‘opt-out’ instructions so you can choose not to receive further Drama Dispatch communication.
  • If, on the other hand, you may wish to receive other Drama Dispatch communications, you would always be asked before such information is forwarded.

Drama Dispatch may use information it collects from you for the primary purpose for which it is collected and for such other secondary purposes that are related to the primary purpose of collection including to:

  • provide you with products or services you have requested;
  • personalise and customise your experiences on the Drama Dispatch website;
  • helpDrama Dispatch manage and enhance its services to you;
  • communicate with you;
  • provide you with ongoing information about opportunities on the Drama Dispatch websites in which Drama Dispatch believes you may be interested; and
  • give you the opportunity from time to time to receive e-mails and ‘newsletters’ from Drama Dispatch

It is not in Drama Dispatch interest to continue to send you emails once you have requested to be unsubscribed.

 GOOGLE ADS PRIVACY POLICY: https://policies.google.com/technologies/partner-sites

If you have any questions regarding this please contact us.

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Love Labour’s Lost // Footlight Theatrical

  By Jake Goodall “Your wit’s too hot, it speeds too fast, ’twill tire.” Footlight Theatrical’s Love Labour’s Lost sets hearts ablaze with wit and charm in a dazzling Queensland Premiere at the Ron Hurley Theatre in Seven Hills! William Shakespeare’s brilliant and hilarious comedy takes centre stage as the King and his friends swear off women, only to find themselves falling in love with a princess and her ladies.  The ensuing courtship and a year of separation make for an unsatisfying yet tantalizing ending, leaving the audience yearning for more. Could Shakespeare’s elusive sequel, ‘Love’s Labour’s Won,’ hold the key to further adventures? Only time will tell, leaving us at the mercy of the bard’s whims. The production’s set, masterfully designed by Ian Johnson, immerses us in a visually stunning world reminiscent of Mamma Mia. The use of Greek-inspired elements and a towering white wall representing the King’s house are executed with finesse, while the on-stage spa adds an ...