Skip to main content

Privacy Policy


We are serious about your privacy

Drama Dispatch's Privacy Policy is in line with the government’s Privacy Guidelines and Spam Act issued on 17th September 2001, and fully effective as of 11th April 2004 (see http://www.privacy.gov.au/business/index.html)

Very important aspects of our policy are:

  • Personal details provided by you to Drama Dispatch through electronic responses from this site will not be forwarded, sold, or made available in any way to any third party.
  • However, Drama Dispatch may communicate with you again with other information that is complimentary to your original request.
  • Each of these communications will have clear ‘opt-out’ instructions so you can choose not to receive further Drama Dispatch communication.
  • If, on the other hand, you may wish to receive other Drama Dispatch communications, you would always be asked before such information is forwarded.

Drama Dispatch may use information it collects from you for the primary purpose for which it is collected and for such other secondary purposes that are related to the primary purpose of collection including to:

  • provide you with products or services you have requested;
  • personalise and customise your experiences on the Drama Dispatch website;
  • helpDrama Dispatch manage and enhance its services to you;
  • communicate with you;
  • provide you with ongoing information about opportunities on the Drama Dispatch websites in which Drama Dispatch believes you may be interested; and
  • give you the opportunity from time to time to receive e-mails and ‘newsletters’ from Drama Dispatch

It is not in Drama Dispatch interest to continue to send you emails once you have requested to be unsubscribed.

 GOOGLE ADS PRIVACY POLICY: https://policies.google.com/technologies/partner-sites

If you have any questions regarding this please contact us.

Comments

Popular posts from this blog

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Article: 37 // Queensland Theatre

Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May. Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder. Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to. “I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I t...