Skip to main content

Privacy Policy


We are serious about your privacy

Drama Dispatch's Privacy Policy is in line with the government’s Privacy Guidelines and Spam Act issued on 17th September 2001, and fully effective as of 11th April 2004 (see http://www.privacy.gov.au/business/index.html)

Very important aspects of our policy are:

  • Personal details provided by you to Drama Dispatch through electronic responses from this site will not be forwarded, sold, or made available in any way to any third party.
  • However, Drama Dispatch may communicate with you again with other information that is complimentary to your original request.
  • Each of these communications will have clear ‘opt-out’ instructions so you can choose not to receive further Drama Dispatch communication.
  • If, on the other hand, you may wish to receive other Drama Dispatch communications, you would always be asked before such information is forwarded.

Drama Dispatch may use information it collects from you for the primary purpose for which it is collected and for such other secondary purposes that are related to the primary purpose of collection including to:

  • provide you with products or services you have requested;
  • personalise and customise your experiences on the Drama Dispatch website;
  • helpDrama Dispatch manage and enhance its services to you;
  • communicate with you;
  • provide you with ongoing information about opportunities on the Drama Dispatch websites in which Drama Dispatch believes you may be interested; and
  • give you the opportunity from time to time to receive e-mails and ‘newsletters’ from Drama Dispatch

It is not in Drama Dispatch interest to continue to send you emails once you have requested to be unsubscribed.

 GOOGLE ADS PRIVACY POLICY: https://policies.google.com/technologies/partner-sites

If you have any questions regarding this please contact us.

Comments

Popular posts from this blog

‘The Little Mermaid’ // Queensland Musical Theatre

  The lights dimmed, and the beat of the overture played as the audience immersed themselves under the sea in Queensland Musical Theatre’s (QMT) production of ‘The Little Mermaid’. This timeless story was brought to life at the beautiful Twelfth Night Theatre on the edge of Brisbane. Boasting a massive cast, this production was not our average community theatre show! Based on the famous Disney animated film (which was based on a Hans Christian Anderson Story) ‘The Little Mermaid’ follows Ariel as she yearns to leave her life under the sea to live on land. Add in a nasty sea witch, an overbearing father, and a handsome prince, and you have Disney’s recipe for an award-winning and top-hit show! Music by Alan Menken boasts an impressive 30 musical numbers, not to take into account the amount of musical underscore that has the band non-stop playing throughout the entire performance. There is something about Menken’s music that makes many Disney fans fall in love with their musicals. ‘T...

Review: 35mm: A Musical Exhibition - Passion Productions & Allentertainment

Written by Jake Goodall Pictures tell 1,000 stories, and in Passion Production's newest revival, 35mm: A Musical Exhibition, does just that, through energetic ensemble numbers and heart-wrenching ballads. Housed within the beautiful Pip Theatre, this production is set to wow audiences left right, and centre.  In 35mm, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. This intricately woven collection of stories told through song re-imagines what the modern musical can be.  Directed by Harrison Allen, the interpretation of the different songs were inspiring and quite different from the usual. For example the changing to a Female Gay 'Seraph' rather than Male was a delightful change that, whilst keeping the meaning of the song, provided us with a different perspective. Additionally the use of a wedding in 'Hemming & Hawing' was jaw dropping and heart wrenching again providing an unusual but ...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...