Request a Reviewer

After all, reviews are what we are all about, so of course we want to hear from you if you have a show you’d like us to consider for review. You can read about the types of reviews we complete here or scroll to the bottom of the page to request a reviewer!

Where Do We Review?

The majority of our coverage is in South East Queensland. We are always trying to expand that area, so get in touch and tell us about your show, and if we have someone in the area, we’ll see if they can make it.

What Do We Review?

Absolutely anything that is considered art (yes even subjectively!), We will come to your musicals, plays, circus, dance concerts, fringe performances, art galleries and everything in between!

We will also dip our toe into theatre related books and even the occasional film. Put simply, if you think you have something that we might be interested in, just tell us about it. We will always consider every invite we receive.

How Do We Decide What Gets Reviewed?

It is purely schedule based if a reviewer is available to attend your show, they will attend! If they can't attend feel free to send through a press release or interview request so we can provide some coverage on your show!

How Far In Advance Should We Contact You?

It’s never too early to invite us. Whilst most of our team probably only plan a few weeks ahead, some will plan a few months if a show takes their interest. We will also take review requests for shows happening in the next week or two, but we can’t often fill such late requests, it really depends if a reviewer finds they have some spare time and the show takes their interest. Never be afraid to ask, we will always try for you.

Our Show is Ready, We Want to Invite You, What do we do?:

Send an email to dramadispatch@gmail.com with the show name, producer, location, available dates and times! We will then contact you if a reviewer is available to attend, from there you make 2 tickets available for our reviewers to attend and then sit back and relax! It's that easy!

Comments

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Article: 37 // Queensland Theatre

Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May. Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder. Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to. “I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I t...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Drama Dispatch

Search This Blog