Skip to main content

'Shakespeare Pick and (re)Mix!’ // Queensland Shakespeare Ensemble

 The ‘2022 Fringe Brisbane’ festival is a chance for independent and local artists to bring their works to the stage, and Queensland Shakespeare Ensemble’s production of ‘Shakespeare Pick and (re)Mix!’ was nothing short of a fantastic night out. Held in the heart of Fortitude Valley at Elements Collective, the audience saw ‘Express Macbeth’, ‘Half Hour Hamlet’ and ‘Instant Romeo & Juliet’ characters each try to convince the audience why their story deserved to be told. 

As the crowd entered the makeshift theatre, members of the ensemble shoved signs in their faces, asking for votes…very similar to Australia’s election polling booths. Each play was given 30 seconds to give their elevator pitch to the audience for the chance to perform their play on this night (after a fantastic Hamilton-style rap sequence). On 14 October, Hamlet was victorious.

After a marvellous introduction, the audience was instructed in true Shakespearean style to make night noises, be involved with the production and scream “encore” at the end. (Back in the Elizabethan era, it was customary for the peasants, or audience, to shout out “boo” at the villain, etc.)

Shakespeare lovers and haters alike watched a shortened version of the tragedy ‘Hamlet’, affectionately dubbed ‘Half Hour Hamlet.’ Over 30 minutes, the audience saw the wonderful highlights of the play coupled with some incomparable costume changes. However, what happened next was a true spectacle: the ensemble shortened the story not once, but twice! The ending round saw the story of ‘Hamlet’ performed from start to finish in five minutes flat.

Director Rebecca Murphy has created a truly hilarious evening out for Fringe Brisbane. Murphy has clearly worked and trained these actors to embody Shakespeare’s characters for such a fast-paced performance. The set design was extremely simple, however very useful: four small velcro boxes were utilised and easily moved into many positions –perfect for the creation of different shows. Lighting was basic, using the overhead LED bulbs for the entirety of the show.

The ensemble consisted of Leah Fitzgerald-Quinn, Liliana Macarone, Rebecca Murphy, Dudley Powell, Rebekah Schmidt and Angus Thorburn. All members of the ensemble came out for this production with an absolutely crazy amount of energy that did not falter. Each ensemble member brought their character to life in this production and had the entire audience engaged from the moment we walked into the venue. 

Queensland Shakespeare Ensemble has created a hilarious and fantastic night out in the heart of Brisbane! Get on down to catch this awesome production or book for another show as part of the Brisbane Fringe Festival.

Original Article: https://www.theatrehaus.com/2022/10/shakespeare-pick-and-remix-queensland-shakespeare-ensemble/

Comments

Popular posts from this blog

Article: 37 // Queensland Theatre

Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May. Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder. Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to. “I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I t...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Review: The Norman Mailer Anecdote - Queensland Theatre (Door 3)

Written by Grace Wilson The Norman Mailer Anecdote, produced by Big Scary Animal kicked off Queensland Theatre’s Door 3 program with hard-hitting questions, complex narratives, and well-rounded performances. The Door 3 program, new to Queensland Theatre in 2024, gives space for emerging artists to create and perform pitched work with support and space contributed by Queensland Theatre. For a premiere program of this size, it was a waiting game to see how high the bar would be set, and Big Scary Animal set the precedent for Door 3 works to come.  The Norman Mailer Anecdote by Anthony Mullins explores ideas of sexual assault and the relationships that come apart in times of crisis. The work itself was confronting - it tackled these ideas through a lens of upper middle-class Australia, specifically Brisbane, and used both the lens of legal terminology and creative writing to create a wide scope when approaching the program.  The cast itself was intimate and connected - standout p...