Skip to main content

‘Never Before Musical’ // Ho Hum

 Ho Hum brought their A-Game back to this year’s Brisbane Improv Festival, hosted at Big Fork Theatre in Fortitude Valley. After a fantastic 2021 production, the critically acclaimed ‘Never Before Musical’ returned for its second year.

Improv is the art of creating art from scratch with no prior preparation; television examples include shows such as ‘Whose Line is it Anyway?’ and ‘Thank God You’re Here.’ Improvisation is one of the hardest exercises for actors to execute well, and Ho Hum came up with scenes, musical and dance numbers.

The group’s hilarious signature show, ‘Ho Hum Musical Improv’, has been presented around Brisbane for the last few years. Audience members were welcomed to shout out themes for a potential musical that this improv troupe was to perform. On this occasion, the intriguing theme of “ReGrowth” was selected by the audience. This began an hour of hilarity, love and fantastic improvisation.

‘ReGrowth the Musical’ followed the story of Candy, a hair model, who joined the industry in 1983 with a dream of earning $2,000. The villain of the piece is determined to make “actors with hair” to replace those like Candy. Interwoven through this superb piece of improv was love between villains, a sandwich-making artist, an agent who was sick of the industry and beautiful metaphors. After all, the best “ReGrowth” is love!

Improv is such an ensemble sport with every actor playing a part to move the story along. Mandy Plumb played our Candy, the aspiring Pantene model. Plumb was instrumental in this story and brought fire and punch to the production. Anne Pensalfini was the hard-hitting talent agent. Pensalfini was nuanced and a perfect juxtaposition to Plumb. Pensalfini was grounded throughout their performance and clearly has many years of stage experience. Adam O’Sullivan was the villainous tech mogul and was a star of comedy in this production. O’Sullivan broke the fourth wall many times, drawing the audience further into the production. Ollie Windsor was utterly hilarious as O’Sullivan’s henchperson. Windsor played up the part of the lady henchman who falls in love with the villain (think Plankton & Karen from Spongebob!). Windsor was witty and sassy, which worked ingeniously for the production. Glenn Seaby and Brad Daniels played the sandwich shop owner and friend. Seaby and Daniels played off each other fantastically; the audience could see the fear in their eyes when they started to list their favorite things from 1983. It wasn’t an easy task but both actors pulled it off superbly.

Mark Grimes as accompanist and musical director was a fantastic player who brought ‘ReGrowth’ to life, perfectly underscoring the musical. Like the cast, this accompanist also had to improvise their piano playing to ensure the story flowed. Grimes created music that intricately fit in the story and helped our actors to develop their characters.

Overall, ‘Never Before Musical’ presented by Ho Hum was a fantastic night out filled with fun, hilarity and “ReGrowth”. This is an improv company to watch out for with talented cast and creatives who are a force to be reckoned with!

Original Article

Comments

Popular posts from this blog

Review: Jersey Boys // QPAC & Prospero Arts

 ​   Before there was Beggin' by Måneskin and Can't Take My Eyes Off Of You by Andy Williams, there was Frankie Valli and The Four Seasons, which is the source for the hit Jukebox Musical: Jersey Boys! Produced by QPAC and Prospero Arts, Jersey Boys  is the inspiring rags-to-riches tale of The Four Seasons. When Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi met, they were just four New Jersey teens singing together under street lamps, scraping for gigs and money in their working-class neighborhood. As the quartet rises to international stardom, they celebrate the highs and endure the lows that go hand-in-hand with fame. Each member of the group takes a turn narrating events, illustrating how a ragtag group of guys from New Jersey -- and their decades-long friendships -- became music history. Directed by Martin Croft, this semi staged concert was stunning. Croft's ingenious talent shines through this this stellar production; the design and blocking was simple a...

Article: Stars of Stage and Screen to join Peter and the Starcatcher

  An all-Australian star cast will bring the 5-time Tony Award-winning Peter and the Starcatcher to life for the very first time in a reimagined Australian production. The Broadway smash hit will premiere October 2024 at Canberra Theatre Centre , ahead of a national tour. Peter and the Starcatcher is the untold story of Neverland . Before Neverland there was an Island. Before Captain Hook, a pirate. Before Wendy, her mother Molly. Before Peter, a nameless boy.  Originally developed by Disney Theatrical Group and written by renowned stage writer and 4-time Tony Award nominee Rick Elice ( Water for Elephants, Jersey Boys , The Addams Family ), with music by Wayne Barker , this all-new production is directed by Helpmann Award-nominated Australian director and Dead Puppet Society co-founder David Morton ( Holding Achilles , The Wider Earth ).   The Australian production features a star-studded ensemble cast including Otis Dhanji from blockbuster Aquaman and Netf...

Review: Great Expectations // Villanova Players

  Written by Jake Goodall Set in the early 1800s, welcome to one of Dickens' most famous novels brought to life by Villanova Players at the Ron Hurley Theatre. This classic tale had audience laughing with traditional quips and jokes left right and centre, perfect for the older demographic to relive their youth.  Great Expectations follows the childhood and young adult years of Pip, a blacksmith's apprentice in a country village. He suddenly comes into a large fortune (his great expectations) from a mysterious benefactor and moves to London where he enters high society. Written by Charles Dickens and adapted for the stage by Janys Chambers, this is a story full of amazing characters, from a poor rural village to the heights of London society and all places in between. This bare production utilises very basic set pieces with wooden chairs, a table and some blackened platforms. This multi layered set allowed for great depth and adaptability for the production to showcase differen...