Skip to main content

‘Output’ // Coleman Grehan and Fringe Brisbane

 ‘Output’ is a unique piece of theatre created through the collaboration of Coleman Grehan and Fringe Brisbane. The audience was confronted by Grehan’s spoken word and poetry, set to the backdrop of EDM style music for the full thirty minutes.

Coleman Grehan is a multi award-winning freelance theatre director and sound designer from Brisbane, Australia. His work has been exhibited in various festivals and venues across the East Coast of Australia. Among his own self-produced work, Grehan has worked as a sound designer with various companies nationally and internationally. Grehan is interested in the experimental process and production of theatre, music and visual art which is showcased through their original show, ‘Output’.

Grehan told the story of coming to Fringe Brisbane and their background creating theatre for the past six years. They shared the struggles that came with creative expression and forming meaningful works. An interesting anecdote of the piece was the stark commentary on social media. Grehan used a phone torch and thumb to swipe the light and create the effect of scrolling on Tik Tok or similar platforms. With the addition of some swooshing sound effects, this was a really powerful moment that started Grehan’s performance and established the atmosphere.

Grehan spoke of the struggles that come with creating music through high end software and how concerning Artificial Intelligence is for artists with their employment in the crossfire. They spoke about how it was a struggle to find the line between their ‘output’ and that generated by technology; however, for this interesting performance Grehan’s ‘Output’ is was clearly theirs to own. 

Grehan ensured the audience thought and reflected on social media, the pandemic, the social impact of Artificial Intelligence and many other relevant issues explored throughout the performance. The timeliness of the issues covered made it relatable and moving for any keep up to date with current affairs.

Overall, Coleman Grehan’s creative and fantastical use of sound and words will challenge the audience’s perception of theatre, the social climate and the future of technology.

Original Article: https://www.theatrehaus.com/2022/11/output-coleman-grehan-and-fringe-brisbane/

Comments

Popular posts from this blog

Article: 37 // Queensland Theatre

Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May. Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder. Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to. “I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I t...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Review: The Norman Mailer Anecdote - Queensland Theatre (Door 3)

Written by Grace Wilson The Norman Mailer Anecdote, produced by Big Scary Animal kicked off Queensland Theatre’s Door 3 program with hard-hitting questions, complex narratives, and well-rounded performances. The Door 3 program, new to Queensland Theatre in 2024, gives space for emerging artists to create and perform pitched work with support and space contributed by Queensland Theatre. For a premiere program of this size, it was a waiting game to see how high the bar would be set, and Big Scary Animal set the precedent for Door 3 works to come.  The Norman Mailer Anecdote by Anthony Mullins explores ideas of sexual assault and the relationships that come apart in times of crisis. The work itself was confronting - it tackled these ideas through a lens of upper middle-class Australia, specifically Brisbane, and used both the lens of legal terminology and creative writing to create a wide scope when approaching the program.  The cast itself was intimate and connected - standout p...