Skip to main content

The Last Five Years // Gold Coast Little Theatre

 Gold Coast Little Theatre’s (GCLT) stunning production of The Last Five years is nothing short of a hit! This theatre nestled in the heart of Southport continues to create superb performances, and their recent production is no different!


Directed by Artistic Director Amy-Louise Anderson, GCLT’s The Last Five Years is a spectacle from top to bottom. This famous one act written by Jason Robert-Brown is well known within the musical theatre community and has captivated audiences around the globe with its hard hitting music and emotional writing since it’s debut in 2002.

The Last Five Years follows Cathy, a struggling actress and Jamie, a novelist about to have his big break. This unconventional show tells the story two ways: Cathy tells it backwards whilst Jamie tells it chronologically with the two characters only meeting and interacting once at their wedding at the half way point in the show.

Directed by Amy-Louse Anderson, this production is stunning from the first down beat to the last note. Intricately creating this New York apartment, Anderson’s direction brings out every emotion in this story. Working with skilled actors is a fantastic experience, however having to direct this intertwining story is no easy feat and Anderson does this effortlessly and professionally. Anderson’s clever direction facilitates the audience’s smooth journey between multiple settings and times.

Image Credit: TTL Photography

The Musical Direction by Michelle Watkins is nothing sort of brilliant, leading a talented three-piece band comprised of Lawrie Esmond on Guitar/Keyboard, Rodrigo Machado on Bass Guitar and Jem Nicholls on Percussion/Guitar. It’s fantastic to see a live band at Gold Coast theatres after the devastating effects of the pandemic. Watkins should be highly commended for continuing to set the bar for live bands in the Gold Coast theatre scene.

The Vocal Direction by David Willis really elevates this experience and brings the music life. The vocals were simply flawless. Willis’s guidance ensures the perfect placement of notes and protects their vocal chords (especially with the extensive, and constant belting!)

The Set Design by Amy-Louse Anderson and Kim Reynolds is like something out of a story book. Utilisng three tiered levels, the set ingeniously portrays a bohemian artist’s loft with aesthetic plants, piles of books and abstract art. The set perfectly complements the themes of the show.

The Lighting Design by Jamie Watt enhances the emotions throughout the production. Bright white light is used effectively to bring the audience back to the happy moments of Jamie and Cathy’s relationship. In contrast, dark blue and purple lighting schemes helps to convey the darker moments.

Performing on opening night was Jamie Watt (Jamie) and Heidi Enchelmaier (Cathy), GCLT’s production features two casts performing on alternating nights providing two distinctly different interpretations of this same story. Leading the alternate cast is Flynn Anderson (Jamie) and Susannah Kwan (Cathy).

Jamie Watt not only shares the same name as their character, but embodies Jamie to the nines. Watt portrays this talented writer’s painful journey with grace and respect. Jamie’s descent into despair after cheating on Cathy feels hauntingly authentic. Watt is a well known name in Gold Coast theatre and it is superb to have them back on the stage telling this story.

Image Credit: TTL Photography

Enchelmaier’s Cathy is heart-wrenching from their famous opening number ‘Still Hurting,’ to their closing number ‘Goodbye Until Tomorrow.’ Enchelmaier unique edginess enhances Cathy’s interesting connection to Jamie. It truly creates a beautiful, authentic relationship between these performers which can be seen both in and out of character. Enchelmaier’s extensive tertiary training is clear in their talented portrayal of Cathy.

Overall, Gold Coast Little Theatre’s The Last Five Years is a smash hit and a stunning opening production for their 2023 season. This fun yet sombre representation of toxic relationships is poignant and perfect for this day and age. All that’s left to say is BRAVO!

Original Article

Comments

Popular posts from this blog

Article: The Empire Young Artist showcase original production

The Empire’s youngest artists have kicked off rehearsals for their original production, Our Egg Named Larry to be performed from July 12-13. Now in its 14th year, the audition-based elite performance program IMPACT sees a Junior Ensemble cast of eight aged 13-14, dive into the funny, heartwarming and at times ridiculous story of a group of students who are assigned to a project to keep a fragile egg named Larry in one piece. An original theatre piece, Our Egg named Larry was written by The Empire Youth Arts Lead Grace Sankey and co-writer Sheldon Mcloughlin, with ensemble members to contribute to the script writing process, drawing on discoveries they make about their own characters as rehearsals continue. “This year’s Junior Ensemble has a mixture of experience levels with some members who have done this program before and some who will be going on stage for the very first time,” Miss Sankey said. “I am so grateful to be in the rehearsal room with these amazing young people, creating ...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...