Skip to main content

‘Nineteen’ // Underground Theatre Co

Have you ever wondered what goes on behind closed doors at a male sharehouse? Answer: a lot! Nineteen, presented by Underground Theatre Company, shows the real life of young men transitioning into adulthood in a new and confronting way that is very much needed in today’s society.

Nineteen follows the partially verbatim story of George the Writer, Josh the Gym-Rat, Noah the tradie and Adam the stoner as they navigate insecurity, pride, and exes. Mix them all together and you’ve got yourself a recipe for manhood, but is that what it really means to be a man?

Written by Australian Shane Pike, Nineteen first premiered in 2017 at the Brisbane Powerhouse to true Aussie audiences. Pike’s intricate use of Brechtian writing is weaved throughout the play by the main character, George, constantly pulling out of the scene giving us insight and thoughts on his experiences. Additionally, there are a few beautiful scenes working in the cohesive ensemble, whether it’s talking about their first times with women or about self-harm, the four young men come together to push this story forward.

Lighting designed by Clair Yorston was simple except extremely effective. Yorston utilised four main concepts for their design. First was the apartment, this was a general wash across the stage reminiscent of an apartment light. Second was the memory scenes, Blue low light was used to bring the audience out of the story and note the scene occurring was out of the timeline. Thirdly was the ensemble scenes with 3 downlights highlighting each of the actors and finally the single spotlight for George when he told his stories. Using these four basics, Yorston created a heart-felt lighting design that brought emotion into this story. Sound Design by Riley Camejo was plain using pre and post-show music that was appropriate for the production along with basic sound effects that helped the audience differentiate each of the different scenes.

The set design was extravagant and extremely realistic, making it extremely clear the messy and dirty apartment of these young men. Littered with KFC & Domino packets, a clothes hanger (wrongly put up) and beer cans galore! The set added a perfect layer of realism to this production to create a beautiful juxtaposition to the story.

Direction by Liam Wallis was in a word, perfection! Wallis has clearly worked with this ensemble to bring out the most heightened emotion possible to tell a harrowing story. The acting was natural and realistic with the actors beautifully portraying these tormented characters.

Dominic Graves as Noah was strong and proud. Graves entered the stage as the strong and brooding old one of the group however as the story progressed we see the sensitivity and love Noah has for his daughter. Children of divorce or separation can relate to Noah’s story on such a deep level, and the way Graves portrays this heartbroken father is life shattering.

Adam Dobson as Josh is every ‘gym bro’ you see pumping weights at the gym. Dobson is a skilled actor perfectly executing the bubbly friend and the scary bully throughout this production. Through Josh’s story it’s clear Dobson has done his research to execute this role wonderfully.

Ethan Waters is the lead in Nineteen as George. George is a storyteller, and Nineteen was told through his eyes. Waters took an emotional toll through this production and it was obvious they gave such a dedicated and focused performance. During Waters’ monologues there isn’t a fault to be found, pacing was easy to follow as were his projection and expressions.

The stand out in this production was Liam Kenny as Adam. Adam was the high stoner kid who throughout the play devolves into self harm and his eventual suicide. Kenny’s portrayal of Adam was perfectly played, they looked and acted exactly like someone who was high and using drugs as an escape from the real world. His acting during self harm was spine chilling, you could feel the audience’s suspense hoping it would get better and their emotional downfall after finding out about the suicide.

This production is not for the faint hearted, but it tells a necessary and much needed story. It gives us an insight into the growth of a man and what it really means to be a man, Nineteen is a perfect production for anyone looking for a night out to see a wonderful piece of Australian Theatre.

Original Article

Comments

Popular posts from this blog

Review: Blue - La Boite Theatre & Belvoir St

Written by Jake Goodall Taking control of a one-man show is no easy feat. The ability to captivate an audience for a full 80 minutes is a rare talent, one that cannot be taught. La Boite's latest production, Blue, features award-winning actor Thomas Weatherall at the helm, and it is clear that they could not have made a better choice. Blue tells the story of Mark, a young man navigating life after moving out of his family home for the first time. His mother begins writing him letters to stay connected and offer gentle support. However, one letter delivers devastating news, setting Mark on a path of introspection. Alone in his apartment on a seemingly ordinary morning, Mark must grapple with his young life's trajectory, the day's demands, his studies, and the fragile nature of existence Written by Thomas Weatherall, who also stars in the production, Blue is a profoundly personal and meaningful narrative. Weatherall exposes his soul to the audience without reservat...

Review: Burn The Floor - Dance Partner Productions

Written by Jake Goodall Get ready for a night of high octane dancing extravaganza as Burn the Floor enters the Villa! Opening at the Brisbane Powerhouse for a short 3 day season before continuing on their National Australian Tour, this is the dance show of the year that you don't want to miss! Presented by Dance Partner Productions, Burn the Floor is on it's 25th anniversary tour hosted by Human Nature's Phil Burton. This Australian based production has seen many different iterations over the past 25 years from local and regional towns to Broadway and West End productions, proving that the story of dance is a lifelong commitment.  Directed by Peta Roby, and choreographed by Jorja Freeman, Alberto Faccio, Robbie Kmetoni, if you could think of a style of dance this production had it included. As always with Burn The Floor, ballroom is the featuring genre and boy do the production cast prove their talent in this tight 90-minute show. The movement is fluid and each dancer gets ...

Article: Fun Home comes to Brisbane!

Adapted from Alison Bechdel's groundbreaking graphic novel, Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes. When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father’s hidden desires. Adapted by Jeanine Tesori (music) and Lisa Kron (book and lyrics), the musical has garnered numerous accolades including: Winner: Five 2015 Tony Awards, including Best Musical, Best Score, and Best Book Finalist: 2014 Pulitzer Prize for Drama Winner: Two 2014 Obie Awards, including Outstanding Musical Winner: 2014 Outer Critics Circle Award for Outstanding Off-Broadway Musical...