Skip to main content

‘Nineteen’ // Underground Theatre Co

Have you ever wondered what goes on behind closed doors at a male sharehouse? Answer: a lot! Nineteen, presented by Underground Theatre Company, shows the real life of young men transitioning into adulthood in a new and confronting way that is very much needed in today’s society.

Nineteen follows the partially verbatim story of George the Writer, Josh the Gym-Rat, Noah the tradie and Adam the stoner as they navigate insecurity, pride, and exes. Mix them all together and you’ve got yourself a recipe for manhood, but is that what it really means to be a man?

Written by Australian Shane Pike, Nineteen first premiered in 2017 at the Brisbane Powerhouse to true Aussie audiences. Pike’s intricate use of Brechtian writing is weaved throughout the play by the main character, George, constantly pulling out of the scene giving us insight and thoughts on his experiences. Additionally, there are a few beautiful scenes working in the cohesive ensemble, whether it’s talking about their first times with women or about self-harm, the four young men come together to push this story forward.

Lighting designed by Clair Yorston was simple except extremely effective. Yorston utilised four main concepts for their design. First was the apartment, this was a general wash across the stage reminiscent of an apartment light. Second was the memory scenes, Blue low light was used to bring the audience out of the story and note the scene occurring was out of the timeline. Thirdly was the ensemble scenes with 3 downlights highlighting each of the actors and finally the single spotlight for George when he told his stories. Using these four basics, Yorston created a heart-felt lighting design that brought emotion into this story. Sound Design by Riley Camejo was plain using pre and post-show music that was appropriate for the production along with basic sound effects that helped the audience differentiate each of the different scenes.

The set design was extravagant and extremely realistic, making it extremely clear the messy and dirty apartment of these young men. Littered with KFC & Domino packets, a clothes hanger (wrongly put up) and beer cans galore! The set added a perfect layer of realism to this production to create a beautiful juxtaposition to the story.

Direction by Liam Wallis was in a word, perfection! Wallis has clearly worked with this ensemble to bring out the most heightened emotion possible to tell a harrowing story. The acting was natural and realistic with the actors beautifully portraying these tormented characters.

Dominic Graves as Noah was strong and proud. Graves entered the stage as the strong and brooding old one of the group however as the story progressed we see the sensitivity and love Noah has for his daughter. Children of divorce or separation can relate to Noah’s story on such a deep level, and the way Graves portrays this heartbroken father is life shattering.

Adam Dobson as Josh is every ‘gym bro’ you see pumping weights at the gym. Dobson is a skilled actor perfectly executing the bubbly friend and the scary bully throughout this production. Through Josh’s story it’s clear Dobson has done his research to execute this role wonderfully.

Ethan Waters is the lead in Nineteen as George. George is a storyteller, and Nineteen was told through his eyes. Waters took an emotional toll through this production and it was obvious they gave such a dedicated and focused performance. During Waters’ monologues there isn’t a fault to be found, pacing was easy to follow as were his projection and expressions.

The stand out in this production was Liam Kenny as Adam. Adam was the high stoner kid who throughout the play devolves into self harm and his eventual suicide. Kenny’s portrayal of Adam was perfectly played, they looked and acted exactly like someone who was high and using drugs as an escape from the real world. His acting during self harm was spine chilling, you could feel the audience’s suspense hoping it would get better and their emotional downfall after finding out about the suicide.

This production is not for the faint hearted, but it tells a necessary and much needed story. It gives us an insight into the growth of a man and what it really means to be a man, Nineteen is a perfect production for anyone looking for a night out to see a wonderful piece of Australian Theatre.

Original Article

Comments

Popular posts from this blog

Review: Closer // La Boite

 Written by Jake Goodall Get ready for desire, betrayal, love and sex as Closer takes the stage at Brisbane's La Boite Theatre. 24 years since its original La Boite production, Closer returns to the La Boite stage under the skillful direction of Courtney Stewart who happens to also be the theatre's Artistic Director. This production is penned to rival your morals and set your heart ablaze throughout the entire production.  The four lives of Alice, Anna, Dan and Larry intertwine over the course of four and a half years in this densely plotted look at modern love and betrayal. Dan, an obituary writer, meets Alice, a stripper, after an accident in the street. Eighteen months later, they are a couple, and Dan has written a novel inspired by Alice. While posing for his book jacket cover, Dan meets Anna, a photographer. He pursues her, but she rejects his advances despite their mutual attraction. Larry, a dermatologist, meets Dan in an internet chat room. Dan, obsessing over ...

Review: Equus - X Collective

    Written by Gabriel Besa ‘Equus’ from The X Collective was a superb showcasing of drama and all things theatre. From the exquisitely put together lighting to the character portrayal of each of the actors, The X Collective knows how to put on a show.    ‘Equus’ is a play written by Peter Shaffer in 1973, where he was inspired after he heard a seventeen-year-old boy blind six horses in a small town in northern England. It then went on to win the Tony Award for Best Play. The play switches from past and present as it acts out previous events that lead up to Alan Strang’s current state. Through the psychiatric expertise of Martin Dysart, we see the importance each character had played against Alan Strang’s life.   The X Collective had meticulously placed this production in the Holy Trinity Hall as it provides a state of eeriness and mystery for the audience. Since the venue strays from the average theatre, portable lighting and set desi...

'Hedonism’s Second Album' // Left of Right

  Welcome to the recording studio for “Hedonism’s Second Album,” a thought-provoking exploration of the challenges faced by a rock band. Produced by the independent theater company, Left of Right, this production delves into the inner workings of a fractured rock band. Hosted at the Scouts Queensland’s Wonargo Cultural Centre, an unexpected but fitting venue choice, this performance offers a unique perspective on the band’s journey. Following years of performing in pubs and as opening acts, Hedonism, the rock band, has achieved fame with the release of their debut album. However, they now encounter a hurdle in the form of their second album’s creation. Initially premiered in 2014 at The Loft as part of La Boite’s Indie Season and written by David Burton and Claire Christian, “Hedonism’s Second Album” undoubtedly reflects the zeitgeist of its era. The play does not shy away from depicting issues such as misogyny, violence, selfishness, homophobia, and casual racism. While these them...