Skip to main content

'The Bed Party' // PIP Theatre

 Take a trip down memory lane to the days of sharing a house and engaging in heartfelt conversations in the comfort of a bedroom. Sophia Davidson Gluyas’ latest creation, The Bed Party, elevates this sentiment to new heights at Pip Theatre in Brisbane.

In this captivating production, five feminist comrades embark on an adventurous journey during one eventful weekend, shedding light on the profound political underpinnings of personal interactions. As the evening unfolds, Jasmine and Finn, after a long and eventful Saturday night, discover their bed is destined for unexpected activity. Their housemate, Tara, Jasmine’s best friend and former flame, seeks solace after a stressful evening. Ex-housemate Bri, still possessing a spare key, seeks shelter after leaving her partner, while the current housemate, George, joins them, bubbling with enthusiasm following a promising first date.

This all-female ensemble masterfully brings to life a touching lesbian dramedy, offering an evening of laughter, love, and unity. Gluyas’ writing is nothing short of perfection and flawlessness, skillfully weaving intricate narratives and storylines that reveal the depth of these characters and the lives they lead. Gluyas has crafted a remarkable work of realism that unquestionably deserves a five-star rating.

Gluyas also undertook the formidable task of directing her own creation, a challenge they executed with grace and finesse. The blocking of scenes flowed seamlessly, creating a natural rapport with the actors and showcasing Gluyas as a talented and experienced director.

The set, expertly designed by Genevieve Morrow Ganner, was hyper-realistic and nothing short of phenomenal. It flawlessly recreated a bohemian-style bedroom, adorned with an abundance of books, a soothing salt lamp, and many other charming details. The simple and effective sound design by Nikki Savvides cleverly utilized soundtracks to smoothly transition between scenes and establish an evocative atmosphere for the outdoor setting. The choice of soundtracks was spot-on and perfectly complemented the unfolding drama.

Lighting, orchestrated by Cale Dennis, was also simplistic yet effective, adeptly capturing the essence of early morning with subtle illumination and brighter light for daytime scenes. While the length of scene changes and blackouts could use some fine-tuning for a smoother pace, this did not detract from the overall quality of the production.

A special acknowledgment is in order for Zoe Houghton, the Intimacy Advisor, who has clearly worked closely with the actors to craft authentic and meaningful relationships, which were beautifully portrayed on stage.

The true essence of this production lies in the remarkable ensemble cast, featuring Shanay De Marco as Tara, Whitney Duff as Jasmine, Sarah Huston as Finn, Libby Jeisman as Bri, Ophelia Novak as George, and Emily Rowbottom as Kelly. This group of talented individuals masterfully embodied their characters, each providing a distinct and thoughtful portrayal. Singling out a standout performer from this exceptional ensemble proves to be an impossible task, as they all shine brilliantly.

The Bed Party is an absolute must-see, offering a profound commentary on queer relationships, biphobia, and the complexities of harassment. It’s a beautifully crafted narrative that resonates deeply with the present day, and all that remains to be said is, BRAVO!

Original Article

Comments

Popular posts from this blog

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...