Skip to main content

‘A Night at the Movie Musicals’ // ANATM

 Prepare to embark on a cinematic journey as the stage springs to life with the allure of ‘A Night at the Movie Musicals’. More than just a concert, this event celebrates the iconic movie musicals that have left a mark on our hearts. From classics of the golden era to hits that continue to captivate in the 21st century, this concert promises an evening where melodies harmonize with the magic of motion pictures.

A Night at the Movie Musicals’ showcased the exceptional talents of South East Queensland’s emerging vocalists. The performance enthralled the audience with cherished hits from iconic movie musicals, including Go The Distance from ‘Hercules’, Maybe This Time from ‘Cabaret’, Journey to the Past from ‘Anastasia’, From Now On from ‘The Greatest Showman’, Money, Money, Money from ‘Mamma Mia’ and many more!

The Creative Team employed a simple set design, using three black boxes and an illustrious red carpet reminiscent of a grand Movie Premiere. This seemingly straightforward set was ingeniously utilised, with the cast seamlessly interacting with the boxes, jumping, sitting, and stepping up, adding depth to their performance. In addition, small props like tea towels, handcuffs, and hats helped with their character portrayal, enhancing the experience. The cast, dressed in black yet still showing individual styles, exquisitely captured the ambience of a movie premiere, enhancing the production’s visual and cinematic mix.

The lighting design was elegantly simple, yet effective. Basic LED lights illuminated the stage, complemented by two sets of LED lights with adjustable heads that created captivating effects like disco balls, a jail cell, and spotlights. This masterful lighting arrangement heightened the visual impact of the performance, enhancing the vocal-centric nature of the show. While minor microphone issues occurred during larger ensemble numbers, these technical issues are expected to be resolved as the run progresses.

The exceptional ensemble, featuring outstanding performers such as Nykita O’Keefe, Alex Watson, Heidi Enchelmaier, Sophora Cliff, Chelsea Sales, Carly Wilson, Cody Arthur, Aj Betts, Connor Hawkins, Jaime O’Donoghue, Paige Mckay, Liam J.O’Byrne,, and Jake Lyle, all delivering impeccable performances under the expert musical direction of Michael Keen.

From soulful solos to harmonious duets, each vocalist radiated brilliance, seamlessly intertwining their voices to create a formidable ensemble dynamic. The Creative Team’s decision to have each vocalist perform in character added a compelling layer of depth, illuminating the songwriters’ intentions.

Even in the grand ensemble numbers, each vocalist maintained their unique character, providing insightful glimpses into the essence of these beloved movie musicals. A special mention must be made to Laura Greenhalgh & Jarrod Moore as stand-out performers throughout this production. Their angelic vocals wowed the audience. Moore’s rendition of From Now On had the audience so gobsmacked they forgot to start clapping, a surreal experience.

A Night at the Movie Musicals’ offered an unforgettable evening of toe-tapping entertainment at the esteemed Ron Hurley Theatre. The seamless blend of nostalgia and modernity created a fantastic atmosphere that immersed the audience in the world of movie musicals. This captivating showcase promises an exhilarating fusion of cinema and music, leaving audiences eagerly yearning for more. We look forward to the next one!

Original Article

Comments

Popular posts from this blog

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...