Skip to main content

‘A Night at the Movie Musicals’ // ANATM

 Prepare to embark on a cinematic journey as the stage springs to life with the allure of ‘A Night at the Movie Musicals’. More than just a concert, this event celebrates the iconic movie musicals that have left a mark on our hearts. From classics of the golden era to hits that continue to captivate in the 21st century, this concert promises an evening where melodies harmonize with the magic of motion pictures.

A Night at the Movie Musicals’ showcased the exceptional talents of South East Queensland’s emerging vocalists. The performance enthralled the audience with cherished hits from iconic movie musicals, including Go The Distance from ‘Hercules’, Maybe This Time from ‘Cabaret’, Journey to the Past from ‘Anastasia’, From Now On from ‘The Greatest Showman’, Money, Money, Money from ‘Mamma Mia’ and many more!

The Creative Team employed a simple set design, using three black boxes and an illustrious red carpet reminiscent of a grand Movie Premiere. This seemingly straightforward set was ingeniously utilised, with the cast seamlessly interacting with the boxes, jumping, sitting, and stepping up, adding depth to their performance. In addition, small props like tea towels, handcuffs, and hats helped with their character portrayal, enhancing the experience. The cast, dressed in black yet still showing individual styles, exquisitely captured the ambience of a movie premiere, enhancing the production’s visual and cinematic mix.

The lighting design was elegantly simple, yet effective. Basic LED lights illuminated the stage, complemented by two sets of LED lights with adjustable heads that created captivating effects like disco balls, a jail cell, and spotlights. This masterful lighting arrangement heightened the visual impact of the performance, enhancing the vocal-centric nature of the show. While minor microphone issues occurred during larger ensemble numbers, these technical issues are expected to be resolved as the run progresses.

The exceptional ensemble, featuring outstanding performers such as Nykita O’Keefe, Alex Watson, Heidi Enchelmaier, Sophora Cliff, Chelsea Sales, Carly Wilson, Cody Arthur, Aj Betts, Connor Hawkins, Jaime O’Donoghue, Paige Mckay, Liam J.O’Byrne,, and Jake Lyle, all delivering impeccable performances under the expert musical direction of Michael Keen.

From soulful solos to harmonious duets, each vocalist radiated brilliance, seamlessly intertwining their voices to create a formidable ensemble dynamic. The Creative Team’s decision to have each vocalist perform in character added a compelling layer of depth, illuminating the songwriters’ intentions.

Even in the grand ensemble numbers, each vocalist maintained their unique character, providing insightful glimpses into the essence of these beloved movie musicals. A special mention must be made to Laura Greenhalgh & Jarrod Moore as stand-out performers throughout this production. Their angelic vocals wowed the audience. Moore’s rendition of From Now On had the audience so gobsmacked they forgot to start clapping, a surreal experience.

A Night at the Movie Musicals’ offered an unforgettable evening of toe-tapping entertainment at the esteemed Ron Hurley Theatre. The seamless blend of nostalgia and modernity created a fantastic atmosphere that immersed the audience in the world of movie musicals. This captivating showcase promises an exhilarating fusion of cinema and music, leaving audiences eagerly yearning for more. We look forward to the next one!

Original Article

Comments

Popular posts from this blog

Review: Big Yikes // Playlab Theatre

  Written by Jake Goodall Growing up can often feel like navigating through uncharted territory, with uncertainties looming at every turn. Big Yikes! encapsulates this sentiment within a concise 90-minute production, weaving the relatable journey of Loxie as she ventures into the complexities of adulthood. From grappling with identity to confronting the daunting questions of purpose and direction.  Reinventing herself to evade being reduced to mere stereotypes, Loxie embarks on a tumultuous period of transition—graduating from school, stepping into her first job, and embarking on the quest for independence while awaiting university acceptances. Set against the backdrop of a dilapidated share house and the tumult of tangled relationships, Big Yikes! delves into the nuances of boundary-setting, decision-making, and self-discovery, all while injecting doses of humor and heartbreak into its storytelling. Written by Madeleine Border, the script's casual tone serves as an accessible...

Article: Circa turns 20! // Circa

  Australia’s mighty circus company CIRCA is celebrating its 20th birthday in 2024. It was on March 31, 2004, that Circa, then an ensemble of three, performed its first show. Fast forward twenty years, and Circa is an ensemble of thirty, with five full time directors and designers; from its original base in Brisbane, Circa now has additional homes in Cairns and satellite bases around the world.   Firmly established as one of the world’s leading performance companies, over the past two decades, the company has achieved remarkable success to become Australia’s most internationally toured performing arts company, performing in over 45 countries, to nearly 2 million people and attracting superlative reviews wherever it goes.   In 2024, Circa is delivering a staggering 361 performances in 20 different countries 97 cities and towns. Australian highlights include the World Premiere of Dido and Aeneas, a new collaboration with Opera Queensland following January’s critically accla...

Article: Free Dance Classes To Incentivise Boys to Dance - Queensland Ballet

This month Queensland Ballet launched The Ballet Boys Project , a series of initiatives designed to explore and address the decline of boys in ballet and dance. Since 2020, Queensland Ballet Academy has seen a 36% decline in male enrolments, a downward trend that Christian Tàtchev, Director of Queensland Ballet Academy, observes is evident across the professional training industry globally. Queensland Ballet Executive Director Dilshani Weerasinghe said the company is taking the decline seriously by taking a market leading stand and addressing what is potentially a sustainability issue for the artform. “As such, we are encouraging the dance and broader community to join this movement with us to ensure the tradition of ballet – although ever evolving, lives on with strong participation from male dancers,” Mrs Weerasinghe said. The company has established a The Boys in Ballet Committee to identifying the roadblocks and take action to address the issue. As the fi...