Skip to main content

Review: Fairy Tales // Gallery of Modern Art

Welcome to Wonderland at Brisbane's Gallery of Modern Art's newest exhibition, Fairy Tales. Think back to your childhood, parents reading bedtime stories sharing life lessons, be it a scary witch or a handsome prince, this exhibition extraordinarily shares the wonder of childhood. 

Enter GOMA where children are chattering and adults are teaming with excitement. Whether it is fawning over Cinderella's Glass Slipper or looking in awe after the Beast's Rose, this exhibition had something for everyone. Curated by Amanda Slack-Smith the exhibition explores themes of loss, life, wonder, and magic taking the audience through three distinct scenes. 

Curupira by Henrique Oliveria

First, we enter 'Into the Woods,' lowly lit and eerie, The first piece is an extraordinary start to the gallery Henrique Oliveira's Curupira. A massive installation fashioned together by plywood and driftwood timber. As you follow the wood around you end up deeper in this exhibition with an ever-increasing darkness (like entering the woods!) such as the theatrical but haunting Witch House (Umbilical Covern) by Trulee Hall showing the witchery and magic behind motherhood. 


Witch House (Umbilical Covern) by Trulee Hall

As you walk across the path the crowd is asked to head 'Through the Looking Glass.' With original props and costumes from the famous Jim Henson's Labyrinth, it forces the crowd to picture a life beyond our world. Patricia Piccinini is featured many times throughout this exhibition showing their incredible work with hyper-realistic sculptures which is equally terrifying and incredible. 


Cinderella's Glass Slipper on loan from The Walt Disney Company

The final chapter of this incredible exhibition is our ending, 'Ever After.' This is where magic is layered on thick. The show-stopping piece to this chapter is Timothy Horn's Mother-load a full carriage embellished with impressive crystalised sugar, eye-catching to behold. Finalising the exhibition is an impressive display of Eiko Ishioka's fabulous costuming for the 2012 film Mirror Mirror, the LA Hollywood's version of 'Snow White.'

Mother-load By Timothy Horn

Overall, Fairy Tales is an impressive collection of artworks that makes it perfect for any combination of viewers. Fairy Tales is open to the public now until the 28th of April 2024, tickets can be purchased here

Photos by Jake Goodall

Comments

Popular posts from this blog

Review: Footloose: The Musical // Phoenix Ensemble

Dig those dancing shoes out of the closet as Footloose has come to town! Set in the southwest of America, this toe-tapping musical produced by Phoenix Ensemble is sure to raise the roof and have you smiling ear to ear! Following the story of Ren and his mother as they move from Chicago to a small farming town, he is prepared for the inevitable adjustment period at his new high school. But what he is not prepared for is the rigorous local edicts, including a ban on dancing instituted by the local preacher, who is determined to exercise control over the town's youth.  When the Reverend's rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren's reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges pins a father longing for the son he lost against a young man aching for the father who walked out on him. Footloose is Directed and Choreographed by Isabelle Quayle (with assistance fro...

Review: The Norman Mailer Anecdote - Queensland Theatre (Door 3)

Written by Grace Wilson The Norman Mailer Anecdote, produced by Big Scary Animal kicked off Queensland Theatre’s Door 3 program with hard-hitting questions, complex narratives, and well-rounded performances. The Door 3 program, new to Queensland Theatre in 2024, gives space for emerging artists to create and perform pitched work with support and space contributed by Queensland Theatre. For a premiere program of this size, it was a waiting game to see how high the bar would be set, and Big Scary Animal set the precedent for Door 3 works to come.  The Norman Mailer Anecdote by Anthony Mullins explores ideas of sexual assault and the relationships that come apart in times of crisis. The work itself was confronting - it tackled these ideas through a lens of upper middle-class Australia, specifically Brisbane, and used both the lens of legal terminology and creative writing to create a wide scope when approaching the program.  The cast itself was intimate and connected - standout p...

The SpongeBob Musical // Phoenix Ensemble

  Who lives in a pineapple under the sea?! Great ready for pure chaos as you descend to the sea floor in Phoenix Ensemble’s fantastic quirky musical for the whole family: The SpongeBob Musical! The stakes are high as SpongeBob & all of Bikini Bottom face total annihilation with the impending rupture of Mount Doom, the volcano. Chaos erupts and lives hang in the balance. And just when all hope seems lost the most unexpected hero rises up and takes centre stage proving that optimism really can save the world! The set design by Justin Tubb-Hearne is ingenious from top to bottom! The creative use of pool noodles to signify sea anemones is a stroke of genius. Hanging about the stage are tons of intriguing items that resemble the sea floor such as boots, car rims, rope and many other things. A great tie into the environment showing that trash and litter reaches the seafloor. The shining star of the set is the volcano top, utilising chains and caution tape the audience feels like they...