Skip to main content

Article: Shannen James Announces East Coast Tour // Ivy League

Dazzling Melbourne pop-folk artist Shannen James’ long awaited debut record Patchwork is out today, alongside the announcement of a headline east coast album tour this April. 

Shannen James will be playing her dazzling new record to crowds at Brisbane’s Junk Bar on April 12, Sydney’s Low 302 on April 13, and Melbourne’s The Bergy Seltzer on April 19.

Patchwork is a record that takes shape from every experience, idea, thought and feeling Shannen James has ever had. Across 12 spirited tracks, it's a collection of songs stitched together, each showcasing different textures, patterns and colours pulled from a lifetime's worth of moments, to create one cohesive record.

A decade in the making – following the alt-pop artist’s beloved EP Arrows, two chart-toppers on triple j’s Most Played list (2020’s ‘Arrows’ and 2021’s ‘Superstitious’), endless weekends cutting her teeth at open mics and in pubs, and the challenge of condensing over 90 shimmering songs to a curated 12 – this moment is one Shannen James is ready to embrace headfirst.

“Getting an album together after such a long time, the main thing was that it didn’t have to be a ‘this’ album or a ‘that’ album; it just had to represent me. I’m an album gal, and I think listening to this record from start to finish feels like a warm hug. It’s something I’d want to listen to driving down the coast at dusk, looking out over the water, and I hope people can go and do that when they listen to it too.” 

– Shannen James

WATCH: Shannen James – 'Headlights'

The first taste of Patchwork was one of Shannen’s most buoyant pop songs to date, ‘Headlights’, born from a studio session with Hatchie and Joe Agius listening to The Cure. “I started creating this idea about relationships you have that are really fleeting because maybe they have to move to the other side of the world; a moment where you fall in love instantly and then they’re gone. It was written during Covid, during a time where it felt like the clock was running out."

Time and personal relationships are throughlines across this record, as is her sense of purposeful warm nostalgia reminiscent of Fleetwood Mac. “They’ve got everything I love – it’s pop, it’s rock, there’s country in there, but the sentiment is like folk songs. Then I got really into ‘80s sounds and became obsessed with Tears for Fears, then the first records from The 1975, who also made music really influenced by that era.” Like her own formative listening habits, the MO has always been to allow anything and everything that might excite her to seep in, regardless of category or genre. Now, she names contemporaries HAIM, Maggie Rogers and Kasey Musgraves on an ever-growing list of references.

Shannen’s commanding live performance has culminated in sold-out east coast tours, her first UK/EU headlines in 2023 after catching the eye of UK promoter Communion (Catfish and the Bottlemen, Matt Corby), invitations to showcase at Austin’s SXSW and BIGSOUND, plus supports for Valley, Men I Trust, G Flip, Slowly Slowly, Thelma Plum and Sycco. From emotional ballads to bursts of line dancing, Shannen’s love set captures joy and friendship, being in love and having your heart broken, or breaking someone else’s.

All her hard work, creative energy, and personal growth has led up to Patchwork, proving her journey is one more than worth hopping on for the ride – Shannen James is ready to have her big popstar moment. 


SHANNEN JAMES

PATCHWORK TOUR

Fri 12 Apr | Junk Bar | Brisbane, QLD

Sat 13 Apr | Low 302 | Sydney, NSW

Fri 19 Apr | The Bergy Seltzer | Melbourne, VIC

Comments

Popular posts from this blog

Review: The Cemetery Club - Tugun Theatre

Written by Rett Visser Meet the Cemetery Club! Three longtime friends in their late fifties to early sixties, who are now also united by bereavement. Meeting once a month to visit the cemetery where their deceased husbands lay, their friendship and love for their husbands form the cornerstone of ‘The Cemetery Club’. As in real-life, each woman is dealing with grief differently, as every relationship is different: Doris is struggling with losing the love of her life Abe, despite it being four years since his passing, Lucille is kicking up her heels and spending the inheritance left by the unfaithful Harry, and Ida misses her Murry but realises that she doesn’t want to mourn forever. When Sam, the widower meets the ladies whilst visiting the grave of his deceased wife, a shy attraction to Ida sees cracks in the friendships begin to grow. Efficiently directed by Julie Neumann, the space was well-considered enabling the audience to feel like they were included in the conversation as the la...

Review: Company - Phoenix Ensemble

  Written by Mark Rickell "Company, Sondheim’s sixth Broadway musical, was his breakthrough to serious credibility. It received 14 Tony Award nominations, a record at the time. It’s a minimally plotted collection of songs and stories (more like a revue than a traditional musical) about a single man, his married friends, and several girlfriends. Robert wrestles with relationships and commitment. The show’s title has multiple facets, all important to appreciating its complexity. “Company” is the opposite of solitude and loneliness. It means being surrounded by friends and loved ones. It’s also the tightly knit ensemble of actors performing a show.” - Rick Pender, Everything Sondheim Company at Phoenix Ensemble was exactly as Rick has suggested above. A tight knit, and truly excellent, ensemble of actors performing this show. Director Tammy (Sarah Linde) and assistant director Luke (O’Hagan) are responsible for the set design and the simplicity of form and function they have elected ...

‘The Little Mermaid’ // Queensland Musical Theatre

  The lights dimmed, and the beat of the overture played as the audience immersed themselves under the sea in Queensland Musical Theatre’s (QMT) production of ‘The Little Mermaid’. This timeless story was brought to life at the beautiful Twelfth Night Theatre on the edge of Brisbane. Boasting a massive cast, this production was not our average community theatre show! Based on the famous Disney animated film (which was based on a Hans Christian Anderson Story) ‘The Little Mermaid’ follows Ariel as she yearns to leave her life under the sea to live on land. Add in a nasty sea witch, an overbearing father, and a handsome prince, and you have Disney’s recipe for an award-winning and top-hit show! Music by Alan Menken boasts an impressive 30 musical numbers, not to take into account the amount of musical underscore that has the band non-stop playing throughout the entire performance. There is something about Menken’s music that makes many Disney fans fall in love with their musicals. ‘T...