Skip to main content

Article: Shannen James Announces East Coast Tour // Ivy League

Dazzling Melbourne pop-folk artist Shannen James’ long awaited debut record Patchwork is out today, alongside the announcement of a headline east coast album tour this April. 

Shannen James will be playing her dazzling new record to crowds at Brisbane’s Junk Bar on April 12, Sydney’s Low 302 on April 13, and Melbourne’s The Bergy Seltzer on April 19.

Patchwork is a record that takes shape from every experience, idea, thought and feeling Shannen James has ever had. Across 12 spirited tracks, it's a collection of songs stitched together, each showcasing different textures, patterns and colours pulled from a lifetime's worth of moments, to create one cohesive record.

A decade in the making – following the alt-pop artist’s beloved EP Arrows, two chart-toppers on triple j’s Most Played list (2020’s ‘Arrows’ and 2021’s ‘Superstitious’), endless weekends cutting her teeth at open mics and in pubs, and the challenge of condensing over 90 shimmering songs to a curated 12 – this moment is one Shannen James is ready to embrace headfirst.

“Getting an album together after such a long time, the main thing was that it didn’t have to be a ‘this’ album or a ‘that’ album; it just had to represent me. I’m an album gal, and I think listening to this record from start to finish feels like a warm hug. It’s something I’d want to listen to driving down the coast at dusk, looking out over the water, and I hope people can go and do that when they listen to it too.” 

– Shannen James

WATCH: Shannen James – 'Headlights'

The first taste of Patchwork was one of Shannen’s most buoyant pop songs to date, ‘Headlights’, born from a studio session with Hatchie and Joe Agius listening to The Cure. “I started creating this idea about relationships you have that are really fleeting because maybe they have to move to the other side of the world; a moment where you fall in love instantly and then they’re gone. It was written during Covid, during a time where it felt like the clock was running out."

Time and personal relationships are throughlines across this record, as is her sense of purposeful warm nostalgia reminiscent of Fleetwood Mac. “They’ve got everything I love – it’s pop, it’s rock, there’s country in there, but the sentiment is like folk songs. Then I got really into ‘80s sounds and became obsessed with Tears for Fears, then the first records from The 1975, who also made music really influenced by that era.” Like her own formative listening habits, the MO has always been to allow anything and everything that might excite her to seep in, regardless of category or genre. Now, she names contemporaries HAIM, Maggie Rogers and Kasey Musgraves on an ever-growing list of references.

Shannen’s commanding live performance has culminated in sold-out east coast tours, her first UK/EU headlines in 2023 after catching the eye of UK promoter Communion (Catfish and the Bottlemen, Matt Corby), invitations to showcase at Austin’s SXSW and BIGSOUND, plus supports for Valley, Men I Trust, G Flip, Slowly Slowly, Thelma Plum and Sycco. From emotional ballads to bursts of line dancing, Shannen’s love set captures joy and friendship, being in love and having your heart broken, or breaking someone else’s.

All her hard work, creative energy, and personal growth has led up to Patchwork, proving her journey is one more than worth hopping on for the ride – Shannen James is ready to have her big popstar moment. 


SHANNEN JAMES

PATCHWORK TOUR

Fri 12 Apr | Junk Bar | Brisbane, QLD

Sat 13 Apr | Low 302 | Sydney, NSW

Fri 19 Apr | The Bergy Seltzer | Melbourne, VIC

Comments

Popular posts from this blog

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Interview: Deborah Conway AM // Book of Life

 ​​ ​ ​  Australian music legend, Deborah Conway AM returns to the Queensland Performing Arts Centre this April as a part of her national tour of Australia. We got the chance to sit down with Deborah to have a brief chat about her new show and the music industry! Can you share a little about your book 'Book of Life'? Book of Life is a memoir detailing stories of growing up in an idiosyncratic household, of becoming a musician, the sordid adventures of youth, the at odds relationships musicians have with the music industry, of love, of becoming a mother, of work, of creativity, through to the full flowering maturity of all facets of growing into an adult in the most complete way. What was the approach to bring the book to stage in this show? I started writing in November 2019, sitting on my couch in Melbourne. March 2020 brought the cancellation of everything. I was very fortunate to have begun a project that I was finding so absorbing. As the lockdowns stretched on in Vi...

25th Annual Putnam County Spelling Bee // Brisbane Arts Theatre

  Review by Jake Goodall Are your spelling skills ready and primed? The 25th Annual Putnam County Spelling Bee is now accepting entrants from across SEQ! Located in the heart of Brisbane City, the Brisbane Arts Theatre provides a beautiful backdrop for this hilariously funny musical. In this competition, six spellers enter, but only one will leave as the champion. Even the losers get a consolation prize, a juice box! An eclectic group of six mid-pubescents compete for the spelling championship of a lifetime. While they share hilarious and touching stories from their home lives, they navigate their way through a series of challenging (and possibly made-up) words, hoping to avoid the dreaded “ding” of the bell. Natalie Mead’s direction was simple yet effective. Instead of creating a spectacle, she focused on developing each actor’s characterisation, resulting in performances that were interesting and multi-dimensional. The actors clearly put in a lot of effort to delve into the depth...