Skip to main content

Review: Jersey Boys // QPAC & Prospero Arts

 ​

Before there was Beggin' by MÃ¥neskin and Can't Take My Eyes Off Of You by Andy Williams, there was Frankie Valli and The Four Seasons, which is the source for the hit Jukebox Musical: Jersey Boys!

Produced by QPAC and Prospero Arts, Jersey Boys is the inspiring rags-to-riches tale of The Four Seasons. When Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi met, they were just four New Jersey teens singing together under street lamps, scraping for gigs and money in their working-class neighborhood. As the quartet rises to international stardom, they celebrate the highs and endure the lows that go hand-in-hand with fame. Each member of the group takes a turn narrating events, illustrating how a ragtag group of guys from New Jersey -- and their decades-long friendships -- became music history.

Directed by Martin Croft, this semi staged concert was stunning. Croft's ingenious talent shines through this this stellar production; the design and blocking was simple and natural throughout the entire production. Despite its pulled back aesthetic, Croft has created a slice of heaven at QPAC. The performers clearly worked with Croft to develop their characterisation which was impeccable throughout. Music Direction by James Dobinson was spot-on, the music of The Four Seasons is catchy, and every single person in the auditorium knew the songs so Dobinson has their work cut out. However they rose to the challenge extremely well. Every musical element was sharp, crisp and effortless. From the rocking band (with horn line!) to the vocal harmonies and the gobsmacking voice of Frankie Valli. Choreography by Dan Venz was era appropriate and suavy, Venz perfectly captured the boy band aesthetic of the production and created some purely magical moments of dance.

​

The set featured 10 LED screens upon which videos, designed by Craig Wilkinson, were shown. This provided the audience with a glimpse into time and setting without the need for extravagant set pieces. Lighting by Ben Hughes was emotional and beautiful, Hughes created some truly magnificent visual states which fantastically portrayed this production. Sound Design by Geoff McGahan was interesting, McGahan created some interesting reverb and vocal sound throughout the production to emulate recording studios and olden radios. This really helped to bring the audience into the time of the musical. At time a few vocal mics were turned on late and on occasion the mixing of the band vs vocals was off, however this did not detract from the over all sound quality of the production. Costumes by Penny Challen were exquisite, the female flapper dresses and male coloured suits were wonderful to behold and really showed off the talent of Challen as a designer.

​

Jersey Boys is spoken through monologue narrative of the four leads, the absolute powerhouses of the production.

Connor Crawford played the hard hitting, law breaking guitarist. Crawford is a stunning actor whom gave us a character who, while did some pretty bad things, we absolutely fell in love with. At times it was difficult to understand the lines from Crawford due to the accent, it would be imperative to maintain annunciation of words whilst keeping the thick New Jersey accent.

Glaston Toft played the 'off with the fairies' Bassist, Nick Massi. Toft has an interesting voice being able to sing in a large range whilst maintaining character. Toft played the lovable idiot with poise and grandeur, their vocals and physicality was fantastic.

​

Jack Saunders was the songwriting genius, Bob Gaudio. Saunders was the stand out actor in this production, the way they commanded the stage with elegance should be something all performers aspire to. It was difficult to take your eyes away from Saunders during his monologues as he just drew you in.

The highlight of this production is of course Josh Mulheran as Frankie Valli. Mulheran is an incredible vocalist who shines in this production, from the first note Mulheran sings we knew we were in for a fantastic show. It is absolutely impressive and hair raising how Mulheran can sing so high for the entire production, the vocal technique and production Mulheran uses must be right on point otherwise they would damage their voice with the squirrelly notes they must sing. Mulheran definitely rivals their character Frankie Valli, just superb.

​

Rounding out this cast is a bunch of Australian talent who take on the ensemble roles but also supporting characters. These stunning performers include: Matthew Casamento, Emma Hawthorne, Loren Hunter, Oliver Lacey, AJ Pate, Dale Pengelly, Sophie Perkins, Maxwell Simon and Emma Wilby. Special mention to Glenn Hill who played Bob Crew, the flamboyant music producer, their physicality and characterisation was uncanny, unmatched and flawless.

Overall this semi staged production of Jersey Boys is immaculate, every single fine detail has been thought of by the production team and brought to life by this incredible cast. This production is a must see for anyone looking for a good night out with even better music. However! This production closes February 11, 2024 so get in quick before it leaves the stage!

Book your tickets at qpac.com.au

Photos By Joel Devereux

Original article written for BroadwayWorld.Com

​

Comments

Popular posts from this blog

Article: Black Box a New Musical!

You don’t know him, but he may have saved your life BLACK BOX is Queenslander Paul Hodge’s ground-breaking new musical based on the extraordinary true story of David Warren, the Australian inventor who created the black box flight recorder that is now on every plane around the globe, and it will have its world premiere at QPAC’s Cremorne Theatre this May. Driven by the death of his father in an unexplained plane crash when he was eight, BLACK BOX follows David as he fights for an invention that could record the final moments of a flight before it crashes – the black box. His obsession around this invention places his career, marriage and mind at risk. It’s a show about memory, and how we hold onto, and let go of, those we love  BLACK BOX writer and composer, Paul Hodge, said, “David’s invention was inspired by his love of music. I wanted to create a theatre form that was as inventive as David’s idea, which led to the use of recorded voices and music, in the same way the black box g...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Proudfoot + Friends // Proudfoot Producton & QPAC

Written by Jake Goodall Proudfoot + Friends emerges as a captivating and delightful children's show, offering today's children a valuable lessons in friendship, kindness, and cultural appreciation. At its helm is the creative Lucas Proudfoot, the mastermind behind this enchanting production, who has crafted a show that is sure to entertain and educate. Nestled within the diverse atmosphere of the Cremorne Theatre at QPAC, featuring Lucas Proudfoot as the central star, skillfully maneuvering his guitar, didgeridoo, and vocals, accompanied by two enthusiastic dancers who seamlessly propel the narrative forward. Assisting Lucas in his endeavor are a charming ensemble of animated characters, including the lovable Nen, Sis', Aunty May, and a host of others. The stage, adorned with simple yet evocative ocean-themed props like crab pots, fish nets, and bubbles, serves as the canvas for a fusion of live performance and vivid cartoon animation. The seamless integ...