Skip to main content

Review: Banging Denmark // Pip Theatre

 


Written by Jake Goodall

What happens when you cross Andrew Tate with Gloria Steinem? Well, a piece of theatre that is wickedly funny produced in the heart of Brisbane's CBD. Banging Denmark is a hilarious comedy that takes us on a journey of self-exploration, sexuality, and what it means to be a huge pile of dicks!

Aussie Jake Newhouse is a management consultant with a side hack as a toxic male podcaster. He also fancies himself as a pick-up artist. His latest crush, a brilliant and beautiful Danish librarian named Anne, isn’t buying his usual lines, so he enlists the help of academic Ish Madigan to give him tips on flirtation. He’s offering to pay – a lot – and she’s broke enough to accept, despite their fraught relationship. But for Ish, the project feels like a betrayal of the sisterhood! How Ish, Jake, their friends, and a stranger navigate the complexities of love, sex, and dating in the 21st century lies at the heart of this hilarious satire.

Directed by Heidi Gledhill this production is in good hands, Gledhill is clearly a talented director whose skill and experience shine through in this production. Each of the actors has clearly worked with Gledhill immensely to understand their motives, thoughts, and morals and have created beautifully complex characters along the way. The blocking at most times was natural and well thought out, the production could have benefitted from some more planted blocking as most of the actors didn't stop moving throughout the entire show.

Helena Trupp as Costume and Set Designer was calculated. Costumes were simple and contemporary showcasing each character brilliantly, however, the set design is where Trupp really shone. The use of a multilayered set acted almost like a gaming pitch for these characters to fight and deceive upon, the traverse staging of the production was an added element to add to the heightened emotion throughout the play. 

Lighting by Noah Milne and Sound by Tommi Civili was commendable. The use of technical elements in this show was minimal, to ensure the story and the characters were the main focal point. However, Milne and Civili used very intricate techniques to ensure our focus was kept upon the story, such as highlighting areas of the large stage to show the audience where to look next and some impeccable timing during door knocking that was extremely realistic. 

Rijen Laine played the dispicable Jake/Guyu de Wit. This Andrew Tate like character the audience loved to loathe, and Laine brought absolutely everything to this role. As a stand-out in this production Laine played this pick up artist with all the toxic masculinity they could muster, towards the end we saw just how phenomonal Laine is as a performer when they switched their character's mindset from toxic man to loving person, this switch was very impressive from Laine and was a highlight in the proudction. 

Tegan Braithwaite as Ishtar was hilarious, Braithwaite is a extremely talented and funny performer and this role was very well suited for them. Braithwaite's energy from top to bottom of this show exceeded all the levels, having that much energy and pace from one person for over two hours was an amazing feat and should be highly commendable, for a performer who rarely leaves the stage Braithwaite brought us some of the biggest laughs and 'aw' moments in the show!

Amelia Slatter as Anne was hard hitting and ruthless, Anne was another highlight character for this reviewer and Slatter was the sterotypical European. Hard-hitting, emotionless and stark, Slatter brought their A game to every scene providing us with laughs and insights into the European sexual desire. Dudley Powell as Toby was the character that everone was routing for, loveable and kind. Powell brought a sense of calmness to the production and was beautiful in their portrayal. 

The standout performer in this production was Janaki Gerard as Denyse. This reviewer has had the chance to see Gerard in a number of productions thorughout Brisbane and is a continual delight to see on stage. Gerard is an incredible performer with skill beyond measure. The character of Denyse was layered, loveable and down right hilarious. Gerard played this character with ease, brought the energy from the start and was an audience favorite.

Overall Banging Denmark is a hilarious comedy showcasing love and sex withing the digital age and how was as young people must navigate the complexities of it. This witty production should be commended for its innovative use of staging and incredible performers. 

Banging Denmark runs until the 23rd of March 2024 and is NOT one you want to miss out one! Book your tickets now!







Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Article: Waru is sure to delight these school holidays

  Australia’s leading Aboriginal and Torres Strait Islander performing arts company, Bangarra Dance Theatre will bring its delightful work for children, Waru – journey of the small turtle to QPAC from Wednesday 26 to Saturday 29 June for the school holidays.   Fresh from its critically acclaimed (and kid approved!) Australian tour in 2023, Waru is a must- see new Australian work for children aged three to eight years and their families.   A journey of survival and discovery with our heroine Migi the turtle, the contemporary saltwater Lagaw Kazil (Island Children) story is inspired by the totemic system of the green turtle, in an interactive and immersive introduction to Torres Strait Islander culture and dance for three- to eight-year-olds.   Under the star-illuminated skies of the Torres Strait, a green turtle navigates her way back to the beach where she was born. The season has started, the turtles are returning to nest, and soon the...

Review: Dogfight - Spotlight Theatrical Company

Written by Jake Goodall Get ready for a night of vocal excellence in Spotlight Theatrical Company's latest production of Dogfight! Located in the central Gold Coast, their latest production is sure to shock and delight all theatre lovers. It's 1963, and a group of young marines have gathered in San Fransisco the night before they ship off to Vietnam. They decide to celebrate their last night of freedom with a cruel game they call a “dogfight” where every man sets out to find the ugliest girl he can and brings her to a party. Everyone puts in money, and the man with the ugliest date wins the pot.  This harrowing and horrific story showcases the toxic masculinity of the US Marines in the 60s but also provides an insight into PTSD and the terrors of war. One uplifting event in this musical is that it isn't about women changing themselves for men, it is about the power of becoming confident in oneself and not bowing to a man's wishes just because he says so which is the tro...