Skip to main content

Article: 37 // Queensland Theatre


Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May.

Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder.

Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to.

“I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I to explore them through a creative lens. But for me, the footy in this play is the vehicle that carries the story and conversation,” Maynard said.

 

“It’s a play about footy that’s also nothing about footy.”

 

Despite the deep themes Maynard covers within the play, the talented ensemble tackles the heaviness with humour, energy, and a whole lot of heart, through the vessels of sportsmanship, authenticity, and integrity, producing a quality performance for both arts and footy lovers.

The cast features breakout star and 2024 recipient of AACTA Brian Walsh Award, Ngali Shaw alongside Tibian Wyles (Black Comedy, Stomping Ground) who portray the two Marngrook cousins, Jayma and Sonny, with teammates played by Australian on-screen actor, Ben O’Toole (Boy Swallows Universe), Syd Brisbane (Victory, Night on Bald Mountain), Mitchell Brotz (Batmania, True Story with Hamish and Andy), Samuel Buckley (Hyde and Seek, Seduction), Costa D’Angelo (Neighbours, Crazy Fun Park), Thomas Larkin (Death of a Salesman, Bernhardt/Hamlet), Eddie Orton (Framed, Touching the Void) and Anthony Standish (City of Gold, Our Town)

“Our 10-strong cast stand against a backdrop of real, raw footy giving the audience a highly physical and visceral performance. Through carefully crafted choreographed sequences the game we love comes alive on stage. It’s nuanced, it’s athletic and it’s beautiful. There’s a strong camaraderie between the cast, off stage and on which adds to the richness of the world of 37,” Drandic added.

“There’s a strong cultural layer throughout 37. We draw inspiration for the movement and choreography from the origins of AFL football — an Aboriginal game called Marngrook. We share some of the more confronting aspects of Australian culture in our sports, and we invite the audience into the changerooms of the Cutting Cove Footy Club.”

The production has hit Brisbane audiences off the back of its world premiere at Melbourne’s Southbank Theatre, which has included an array of four- and five-star reviews.

Tickets are available now for performances at Queensland Theatre’s Bille Brown Theatre until 4 May at queenslandtheatre.com.au/plays/37.

 







 

 

 

 

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Interview: Deborah Conway AM // Book of Life

 ​​ ​ ​  Australian music legend, Deborah Conway AM returns to the Queensland Performing Arts Centre this April as a part of her national tour of Australia. We got the chance to sit down with Deborah to have a brief chat about her new show and the music industry! Can you share a little about your book 'Book of Life'? Book of Life is a memoir detailing stories of growing up in an idiosyncratic household, of becoming a musician, the sordid adventures of youth, the at odds relationships musicians have with the music industry, of love, of becoming a mother, of work, of creativity, through to the full flowering maturity of all facets of growing into an adult in the most complete way. What was the approach to bring the book to stage in this show? I started writing in November 2019, sitting on my couch in Melbourne. March 2020 brought the cancellation of everything. I was very fortunate to have begun a project that I was finding so absorbing. As the lockdowns stretched on in Vi...

Review: Dogfight - Spotlight Theatrical Company

Written by Jake Goodall Get ready for a night of vocal excellence in Spotlight Theatrical Company's latest production of Dogfight! Located in the central Gold Coast, their latest production is sure to shock and delight all theatre lovers. It's 1963, and a group of young marines have gathered in San Fransisco the night before they ship off to Vietnam. They decide to celebrate their last night of freedom with a cruel game they call a “dogfight” where every man sets out to find the ugliest girl he can and brings her to a party. Everyone puts in money, and the man with the ugliest date wins the pot.  This harrowing and horrific story showcases the toxic masculinity of the US Marines in the 60s but also provides an insight into PTSD and the terrors of war. One uplifting event in this musical is that it isn't about women changing themselves for men, it is about the power of becoming confident in oneself and not bowing to a man's wishes just because he says so which is the tro...