Skip to main content

Article: 37 // Queensland Theatre


Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May.

Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder.

Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to.

“I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I to explore them through a creative lens. But for me, the footy in this play is the vehicle that carries the story and conversation,” Maynard said.

 

“It’s a play about footy that’s also nothing about footy.”

 

Despite the deep themes Maynard covers within the play, the talented ensemble tackles the heaviness with humour, energy, and a whole lot of heart, through the vessels of sportsmanship, authenticity, and integrity, producing a quality performance for both arts and footy lovers.

The cast features breakout star and 2024 recipient of AACTA Brian Walsh Award, Ngali Shaw alongside Tibian Wyles (Black Comedy, Stomping Ground) who portray the two Marngrook cousins, Jayma and Sonny, with teammates played by Australian on-screen actor, Ben O’Toole (Boy Swallows Universe), Syd Brisbane (Victory, Night on Bald Mountain), Mitchell Brotz (Batmania, True Story with Hamish and Andy), Samuel Buckley (Hyde and Seek, Seduction), Costa D’Angelo (Neighbours, Crazy Fun Park), Thomas Larkin (Death of a Salesman, Bernhardt/Hamlet), Eddie Orton (Framed, Touching the Void) and Anthony Standish (City of Gold, Our Town)

“Our 10-strong cast stand against a backdrop of real, raw footy giving the audience a highly physical and visceral performance. Through carefully crafted choreographed sequences the game we love comes alive on stage. It’s nuanced, it’s athletic and it’s beautiful. There’s a strong camaraderie between the cast, off stage and on which adds to the richness of the world of 37,” Drandic added.

“There’s a strong cultural layer throughout 37. We draw inspiration for the movement and choreography from the origins of AFL football — an Aboriginal game called Marngrook. We share some of the more confronting aspects of Australian culture in our sports, and we invite the audience into the changerooms of the Cutting Cove Footy Club.”

The production has hit Brisbane audiences off the back of its world premiere at Melbourne’s Southbank Theatre, which has included an array of four- and five-star reviews.

Tickets are available now for performances at Queensland Theatre’s Bille Brown Theatre until 4 May at queenslandtheatre.com.au/plays/37.

 







 

 

 

 

Comments

Popular posts from this blog

Review: Closer // La Boite

 Written by Jake Goodall Get ready for desire, betrayal, love and sex as Closer takes the stage at Brisbane's La Boite Theatre. 24 years since its original La Boite production, Closer returns to the La Boite stage under the skillful direction of Courtney Stewart who happens to also be the theatre's Artistic Director. This production is penned to rival your morals and set your heart ablaze throughout the entire production.  The four lives of Alice, Anna, Dan and Larry intertwine over the course of four and a half years in this densely plotted look at modern love and betrayal. Dan, an obituary writer, meets Alice, a stripper, after an accident in the street. Eighteen months later, they are a couple, and Dan has written a novel inspired by Alice. While posing for his book jacket cover, Dan meets Anna, a photographer. He pursues her, but she rejects his advances despite their mutual attraction. Larry, a dermatologist, meets Dan in an internet chat room. Dan, obsessing over ...

Review: Equus - X Collective

    Written by Gabriel Besa ‘Equus’ from The X Collective was a superb showcasing of drama and all things theatre. From the exquisitely put together lighting to the character portrayal of each of the actors, The X Collective knows how to put on a show.    ‘Equus’ is a play written by Peter Shaffer in 1973, where he was inspired after he heard a seventeen-year-old boy blind six horses in a small town in northern England. It then went on to win the Tony Award for Best Play. The play switches from past and present as it acts out previous events that lead up to Alan Strang’s current state. Through the psychiatric expertise of Martin Dysart, we see the importance each character had played against Alan Strang’s life.   The X Collective had meticulously placed this production in the Holy Trinity Hall as it provides a state of eeriness and mystery for the audience. Since the venue strays from the average theatre, portable lighting and set desi...

'Hedonism’s Second Album' // Left of Right

  Welcome to the recording studio for “Hedonism’s Second Album,” a thought-provoking exploration of the challenges faced by a rock band. Produced by the independent theater company, Left of Right, this production delves into the inner workings of a fractured rock band. Hosted at the Scouts Queensland’s Wonargo Cultural Centre, an unexpected but fitting venue choice, this performance offers a unique perspective on the band’s journey. Following years of performing in pubs and as opening acts, Hedonism, the rock band, has achieved fame with the release of their debut album. However, they now encounter a hurdle in the form of their second album’s creation. Initially premiered in 2014 at The Loft as part of La Boite’s Indie Season and written by David Burton and Claire Christian, “Hedonism’s Second Album” undoubtedly reflects the zeitgeist of its era. The play does not shy away from depicting issues such as misogyny, violence, selfishness, homophobia, and casual racism. While these them...