Skip to main content

Article: Sunshine Coast Chamber Music is Back - SCCMF

 
 
The Sunshine Coast Chamber Music Festival (SCCMF) is back in 2024 and will run across three fabulous days in June - 6th to 9th - presenting a wonderful opportunity for music lovers from around the country to immerse themselves in the innovative program.

The 2024 Festival is bursting with bespoke events featuring internationally celebrated classical music artists, alongside First Nations, jazz and world musicians, all coming together to share their passion in some of the most stunning natural locations and intimate venues across the Sunshine Coast.

Co-directors of SCCMF 2024, Lynne Bradley and James Lees, are keen through their programming to make classical music more accessible, thereby introducing new audiences to chamber music. “Since its inception five years ago, the festival has simultaneously looked to the origins of chamber music (in the intimate and cosy homes of the artists with no conductor), and forward to what chamber music is becoming in the 21 st century. Long thought of as conversation between instruments, in 2024

SCCMF will extend that conversation to include the audience, celebrating the art of storytelling as artists break with tradition to weave words and music together in an irresistible series of concerts filled with wonder, heart and humour,” said the co-directors.

This year’s program features several exciting Queensland and Sunshine Coast premieres with some of the biggest names in classical music in Australia, including Elena Kats-Chernin, Tamara-Anna Cislowska, Simon Tedeschi, Alex Raineri, and the Orava Quartet. These include

-With love, Amadeus, a thrilling collaboration between two of Australia’s leading artists from theatre and classical music, John Bell and Simon Tedeschi, which will include readings from letters written by Mozart and sharing key moments in his life.

-an opportunity to experience an immersive sound, music, and nature experience with Grammy Award- nominated artist Tenzin Choegyal. Meditate // Anytime, Anywhere will weave together sounds from the classical and chamber music worlds with world-music textures, as the audience is lead on a journey around the Maroochy Botanical Gardens.

-ARIA award-winning pianist Tamara-Anna Cislowska, alongside internationally renowned composer Elena Kats-Chernin, in 4 Hands, 1 Piano, featuring music inspired by family and fantasy, from Paris to the Silk Road.

-A Night of Romance with the Orava Quartet. Widely heralded as the most exciting young quartet on the block and predicted by The Australian to become one of our proudest cultural exports they will perform the Queensland premiere of Swoop by celebrated composer Holly Harrison

Tickets on sale NOW via https://www.sccmf.com.au/

Labels:

Comments

Post a Comment

Popular posts from this blog

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...
Post a Comment
Read more

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...
Post a Comment
Read more

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...
Post a Comment
Read more