Skip to main content

Article: Sunshine Coast Chamber Music is Back - SCCMF

 
The Sunshine Coast Chamber Music Festival (SCCMF) is back in 2024 and will run across three fabulous days in June - 6th to 9th - presenting a wonderful opportunity for music lovers from around the country to immerse themselves in the innovative program.

The 2024 Festival is bursting with bespoke events featuring internationally celebrated classical music artists, alongside First Nations, jazz and world musicians, all coming together to share their passion in some of the most stunning natural locations and intimate venues across the Sunshine Coast.

Co-directors of SCCMF 2024, Lynne Bradley and James Lees, are keen through their programming to make classical music more accessible, thereby introducing new audiences to chamber music. “Since its inception five years ago, the festival has simultaneously looked to the origins of chamber music (in the intimate and cosy homes of the artists with no conductor), and forward to what chamber music is becoming in the 21 st century. Long thought of as conversation between instruments, in 2024

SCCMF will extend that conversation to include the audience, celebrating the art of storytelling as artists break with tradition to weave words and music together in an irresistible series of concerts filled with wonder, heart and humour,” said the co-directors.

This year’s program features several exciting Queensland and Sunshine Coast premieres with some of the biggest names in classical music in Australia, including Elena Kats-Chernin, Tamara-Anna Cislowska, Simon Tedeschi, Alex Raineri, and the Orava Quartet. These include

-With love, Amadeus, a thrilling collaboration between two of Australia’s leading artists from theatre and classical music, John Bell and Simon Tedeschi, which will include readings from letters written by Mozart and sharing key moments in his life.

-an opportunity to experience an immersive sound, music, and nature experience with Grammy Award- nominated artist Tenzin Choegyal. Meditate // Anytime, Anywhere will weave together sounds from the classical and chamber music worlds with world-music textures, as the audience is lead on a journey around the Maroochy Botanical Gardens.

-ARIA award-winning pianist Tamara-Anna Cislowska, alongside internationally renowned composer Elena Kats-Chernin, in 4 Hands, 1 Piano, featuring music inspired by family and fantasy, from Paris to the Silk Road.

-A Night of Romance with the Orava Quartet. Widely heralded as the most exciting young quartet on the block and predicted by The Australian to become one of our proudest cultural exports they will perform the Queensland premiere of Swoop by celebrated composer Holly Harrison

Tickets on sale NOW via https://www.sccmf.com.au/

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...

Review: Picnic at Hanging Rock - Javeenbah Theatre Company

Written by Mark Rickell “The infamous picnic has become a faux Australian history that has haunted the Australian psyche for almost fifty years.” - Hunter Wall, Director This is the backdrop on which the story takes place, not that of the period in history, but in the present. In the effect of this story and what it means to Australians. Children study the text in schools, the name, and the mystery, is synonymous with Australian literature.  “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.” - Joan Lindsay, Author This adaptation of the text is extremely true to the original material, and serves as an excellent example of the power of theatre as a way of bringing stories to life. This adaptation, expertly staged at Javeenbah Theatre, is a triumph of storytelling. It is clear that dire...