Skip to main content

Review: 35mm: A Musical Exhibition - Passion Productions & Allentertainment


Written by Jake Goodall

Pictures tell 1,000 stories, and in Passion Production's newest revival, 35mm: A Musical Exhibition, does just that, through energetic ensemble numbers and heart-wrenching ballads. Housed within the beautiful Pip Theatre, this production is set to wow audiences left right, and centre. 

In 35mm, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. This intricately woven collection of stories told through song re-imagines what the modern musical can be. 

Directed by Harrison Allen, the interpretation of the different songs were inspiring and quite different from the usual. For example the changing to a Female Gay 'Seraph' rather than Male was a delightful change that, whilst keeping the meaning of the song, provided us with a different perspective. Additionally the use of a wedding in 'Hemming & Hawing' was jaw dropping and heart wrenching again providing an unusual but delightful new perspective. Occasionally it did feel as if there could have been more done with the blocking of the piece, especially during numbers such as 'Good Lady' & 'Cut You A Piece,' however this could be due to the limited space Allen had to work with. 

Musical Direction by Seán Fagan was impeccable, the intertwining harmonies were tight and its clear Fagan has worked with this ensemble to whip their vocal into shape. This reviewer has been lucky enough to be in a production of 35mm, so they know how extremely difficult the score is. The cast and band should be extremely highly commended on taking on such a challenging production musically. 

Costume & Set Design by Laurent Milton & Renee Milton was amicable, this duo created such a simple and plain aesthetic to the production that just worked. The use of photographs strewn up across the space created a photographic 'Red Room' vibe, perfect for the production. Additionally the use of 2 vertical scrims to project each photo on was a visual feast again helping to portray each song and it's interpretation. The Costuming was also simple and effective, all the cast wore blacks and then added costume or prop pieces to each song to help portray the meaning behind each tableau. Sound By William Toft was commendable, at the beginning of the production there were a few mixing issues with the band, however as the production continued this faded out to create a fantastic mix of vocal and band. Lighting by Tim James was beautiful, James created some fantastic colour postcards to help with the intent behind each song. Occasionally there was a late or potentially missed cue meaning the cast were in darkness (or perhaps they missed their mark!) however as the season continues this is sure to fade away. 

The powerhouse behind this production is the cast, this troupe of 7 performers have worked incredibly hard to show their skill and talent. This incredibly cast included Rae Rose as Actor 1, Mabelle Maynard as Actor 3, Connor Clarke as Actor 4, Tomer Dimanstein as Actor 5, Bethanie Walsh as Ensemble and Samatha Sherrin as Swing. All of these performers provided stunning performances, telling us important messages and stories. 

However the true highlight of this production was Aurélie Roque as Actor 2. Roque was jaw-droppingly stunning. Their rendition of 'Leave Luanne' was harrowing and frightful, whilst their portrayal of Sarah in 'The Ballad of Sarah Berry' was bitchy and sassy in the best way possible. It is almost impossible to talk about how incredible Roque is in this production because they were just THAT good!

35mm: A Musical Exhibition is a stunning display of stories and music that is a MUST SEE by Brisbane Arts Lovers. If you're looking for something out of the ordinary, or getting tired of the typical musical thetare troupe, this is EXACTLY what you need in your life! Closing May 4, be sure to get your tickets now!

Comments

Popular posts from this blog

Article: The Empire Young Artist showcase original production

The Empire’s youngest artists have kicked off rehearsals for their original production, Our Egg Named Larry to be performed from July 12-13. Now in its 14th year, the audition-based elite performance program IMPACT sees a Junior Ensemble cast of eight aged 13-14, dive into the funny, heartwarming and at times ridiculous story of a group of students who are assigned to a project to keep a fragile egg named Larry in one piece. An original theatre piece, Our Egg named Larry was written by The Empire Youth Arts Lead Grace Sankey and co-writer Sheldon Mcloughlin, with ensemble members to contribute to the script writing process, drawing on discoveries they make about their own characters as rehearsals continue. “This year’s Junior Ensemble has a mixture of experience levels with some members who have done this program before and some who will be going on stage for the very first time,” Miss Sankey said. “I am so grateful to be in the rehearsal room with these amazing young people, creating ...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...