Skip to main content

Article: Turning Tragedy into Child's Play for Medea - Queensland Theatre

 

Queensland Theatre will present an unforgettable reimagining of history’s most misunderstood mother, in a bittersweet pressure-cooker performance of the ancient Greek tragedy, Medea at the Bille Brown Theatre from Saturday 11 May.

 

Penned by Kate Mulvany (Jasper Jones) and Anne-Louise Sarks, and directed by Queensland Theatre’s Associate Artistic Director (Programming) and three-time Matilda Award winner, Daniel Evans (Drizzle Boy, The Almighty Sometimes, Vietgone), the multi-award-winning, internationally celebrated version will hit the Queensland stage following its UK premiere which earned rave reviews.

 

Audiences will experience a blending of new and old as they witness the unfolding of a 2,400-year-old tale of passion and revenge set in modern-day Queensland, with an even bigger twist — told entirely from the perspective of Medea’s young sons, 10-year-old Jasper and 12-year-old Leon. Despite its classical roots, director Daniel Evans described this story as one that will truly sink in for today’s modern audiences.

 

“This play is a completely contemporary reimagining of the classic myth. There are no Greek togas. There is no chorus to guide or warn us. But there is deep and extraordinary catharsis and two of the greatest protagonists in the theatre canon — Medea’s young sons, who show us this classic tale from the perspective of children,” Evans said.

 

“This is a tragedy in the classic sense: we watch human suffering and know terrible and sorrowful events will befall the characters. And there’s nothing we can do to stop it. But this is a candid and captivating, and sometimes surprisingly funny play, with star turns from our young performers.” Four of Queensland’s young actors have been selected to alternate playing the lead roles of young brothers, Jasper and Leon, including 13-year-old Orlando Dunn-Mura, 8-year-old Edward Hill, 10-year- old Felix Pearn, and 11-year-old Jeremiah Rees.

 

Queensland Theatre’s Associate Artistic Director (Education and Youth), Fiona MacDonald is working alongside the cast and crew to make the theatre stage a supportive, collaborative, and fun environment for the young cast members, which she said is an all-hands-on-deck effort. “Medea is a well-known, classic piece of theatre and mythology, but in the original work Medea’s children are silent. What’s thrilling about this piece is that it flips that and shows us only the children’s story.

 

“What I love about this version of Medea is that it positions young people as capable of considering very complex and serious themes, both as audiences and for the young performers, and offers a classic famous story through a contemporary lens based in the world and culture of the child. Dan and the team are working very closely with the four young people and their families to ensure this experience is a safe and supported journey, wrapping significant care and support around them as these young performers embark on their professional debut that is unlike most young people’s first foray into theatre,” MacDonald said. The young cast will stand alongside renowned Australian actor Helen Cassidy (Family Values, As You Like It) who will play the famous Medea.

 

“This thrilling new vision of Medea takes a full 180 degree turn from the well-worn Euripidean path. Here, the scorned woman and vengeful sorceress takes a backseat to Medea the mother. Audiences will see her overwhelming heartache and isolation coupled with the immense tenderness and love she has for her sons,” Cassidy added.

 

The cast will present the story inside an equally brilliant set by Chloe Greaves (don’t ask what the bird look like, Barbara and the Camp Dogs). Greaves’ design places the action behind a glass panelled fish tank to heighten the drama. This literal pressure cooker ups the tension as we watch the last 70 minutes of these young children’s lives. We can see in, but we can’t get them out.

 

Medea will take over Bille Brown Theatre, from Saturday 11 May until Saturday 8 June. Tickets are available at queenslandtheatre.com.au/plays/medea.

 

Photos by David Kelly

Comments

Popular posts from this blog

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Burn The Floor - Dance Partner Productions

Written by Jake Goodall Get ready for a night of high octane dancing extravaganza as Burn the Floor enters the Villa! Opening at the Brisbane Powerhouse for a short 3 day season before continuing on their National Australian Tour, this is the dance show of the year that you don't want to miss! Presented by Dance Partner Productions, Burn the Floor is on it's 25th anniversary tour hosted by Human Nature's Phil Burton. This Australian based production has seen many different iterations over the past 25 years from local and regional towns to Broadway and West End productions, proving that the story of dance is a lifelong commitment.  Directed by Peta Roby, and choreographed by Jorja Freeman, Alberto Faccio, Robbie Kmetoni, if you could think of a style of dance this production had it included. As always with Burn The Floor, ballroom is the featuring genre and boy do the production cast prove their talent in this tight 90-minute show. The movement is fluid and each dancer gets ...