Skip to main content

Article: Turning Tragedy into Child's Play for Medea - Queensland Theatre

 

Queensland Theatre will present an unforgettable reimagining of history’s most misunderstood mother, in a bittersweet pressure-cooker performance of the ancient Greek tragedy, Medea at the Bille Brown Theatre from Saturday 11 May.

 

Penned by Kate Mulvany (Jasper Jones) and Anne-Louise Sarks, and directed by Queensland Theatre’s Associate Artistic Director (Programming) and three-time Matilda Award winner, Daniel Evans (Drizzle Boy, The Almighty Sometimes, Vietgone), the multi-award-winning, internationally celebrated version will hit the Queensland stage following its UK premiere which earned rave reviews.

 

Audiences will experience a blending of new and old as they witness the unfolding of a 2,400-year-old tale of passion and revenge set in modern-day Queensland, with an even bigger twist — told entirely from the perspective of Medea’s young sons, 10-year-old Jasper and 12-year-old Leon. Despite its classical roots, director Daniel Evans described this story as one that will truly sink in for today’s modern audiences.

 

“This play is a completely contemporary reimagining of the classic myth. There are no Greek togas. There is no chorus to guide or warn us. But there is deep and extraordinary catharsis and two of the greatest protagonists in the theatre canon — Medea’s young sons, who show us this classic tale from the perspective of children,” Evans said.

 

“This is a tragedy in the classic sense: we watch human suffering and know terrible and sorrowful events will befall the characters. And there’s nothing we can do to stop it. But this is a candid and captivating, and sometimes surprisingly funny play, with star turns from our young performers.” Four of Queensland’s young actors have been selected to alternate playing the lead roles of young brothers, Jasper and Leon, including 13-year-old Orlando Dunn-Mura, 8-year-old Edward Hill, 10-year- old Felix Pearn, and 11-year-old Jeremiah Rees.

 

Queensland Theatre’s Associate Artistic Director (Education and Youth), Fiona MacDonald is working alongside the cast and crew to make the theatre stage a supportive, collaborative, and fun environment for the young cast members, which she said is an all-hands-on-deck effort. “Medea is a well-known, classic piece of theatre and mythology, but in the original work Medea’s children are silent. What’s thrilling about this piece is that it flips that and shows us only the children’s story.

 

“What I love about this version of Medea is that it positions young people as capable of considering very complex and serious themes, both as audiences and for the young performers, and offers a classic famous story through a contemporary lens based in the world and culture of the child. Dan and the team are working very closely with the four young people and their families to ensure this experience is a safe and supported journey, wrapping significant care and support around them as these young performers embark on their professional debut that is unlike most young people’s first foray into theatre,” MacDonald said. The young cast will stand alongside renowned Australian actor Helen Cassidy (Family Values, As You Like It) who will play the famous Medea.

 

“This thrilling new vision of Medea takes a full 180 degree turn from the well-worn Euripidean path. Here, the scorned woman and vengeful sorceress takes a backseat to Medea the mother. Audiences will see her overwhelming heartache and isolation coupled with the immense tenderness and love she has for her sons,” Cassidy added.

 

The cast will present the story inside an equally brilliant set by Chloe Greaves (don’t ask what the bird look like, Barbara and the Camp Dogs). Greaves’ design places the action behind a glass panelled fish tank to heighten the drama. This literal pressure cooker ups the tension as we watch the last 70 minutes of these young children’s lives. We can see in, but we can’t get them out.

 

Medea will take over Bille Brown Theatre, from Saturday 11 May until Saturday 8 June. Tickets are available at queenslandtheatre.com.au/plays/medea.

 

Photos by David Kelly

Comments

Popular posts from this blog

Review: Big Yikes // Playlab Theatre

  Written by Jake Goodall Growing up can often feel like navigating through uncharted territory, with uncertainties looming at every turn. Big Yikes! encapsulates this sentiment within a concise 90-minute production, weaving the relatable journey of Loxie as she ventures into the complexities of adulthood. From grappling with identity to confronting the daunting questions of purpose and direction.  Reinventing herself to evade being reduced to mere stereotypes, Loxie embarks on a tumultuous period of transition—graduating from school, stepping into her first job, and embarking on the quest for independence while awaiting university acceptances. Set against the backdrop of a dilapidated share house and the tumult of tangled relationships, Big Yikes! delves into the nuances of boundary-setting, decision-making, and self-discovery, all while injecting doses of humor and heartbreak into its storytelling. Written by Madeleine Border, the script's casual tone serves as an accessible...

Article: Circa turns 20! // Circa

  Australia’s mighty circus company CIRCA is celebrating its 20th birthday in 2024. It was on March 31, 2004, that Circa, then an ensemble of three, performed its first show. Fast forward twenty years, and Circa is an ensemble of thirty, with five full time directors and designers; from its original base in Brisbane, Circa now has additional homes in Cairns and satellite bases around the world.   Firmly established as one of the world’s leading performance companies, over the past two decades, the company has achieved remarkable success to become Australia’s most internationally toured performing arts company, performing in over 45 countries, to nearly 2 million people and attracting superlative reviews wherever it goes.   In 2024, Circa is delivering a staggering 361 performances in 20 different countries 97 cities and towns. Australian highlights include the World Premiere of Dido and Aeneas, a new collaboration with Opera Queensland following January’s critically accla...

Article: Free Dance Classes To Incentivise Boys to Dance - Queensland Ballet

This month Queensland Ballet launched The Ballet Boys Project , a series of initiatives designed to explore and address the decline of boys in ballet and dance. Since 2020, Queensland Ballet Academy has seen a 36% decline in male enrolments, a downward trend that Christian Tàtchev, Director of Queensland Ballet Academy, observes is evident across the professional training industry globally. Queensland Ballet Executive Director Dilshani Weerasinghe said the company is taking the decline seriously by taking a market leading stand and addressing what is potentially a sustainability issue for the artform. “As such, we are encouraging the dance and broader community to join this movement with us to ensure the tradition of ballet – although ever evolving, lives on with strong participation from male dancers,” Mrs Weerasinghe said. The company has established a The Boys in Ballet Committee to identifying the roadblocks and take action to address the issue. As the fi...