Skip to main content

Article: Turning Tragedy into Child's Play for Medea - Queensland Theatre

 

Queensland Theatre will present an unforgettable reimagining of history’s most misunderstood mother, in a bittersweet pressure-cooker performance of the ancient Greek tragedy, Medea at the Bille Brown Theatre from Saturday 11 May.

 

Penned by Kate Mulvany (Jasper Jones) and Anne-Louise Sarks, and directed by Queensland Theatre’s Associate Artistic Director (Programming) and three-time Matilda Award winner, Daniel Evans (Drizzle Boy, The Almighty Sometimes, Vietgone), the multi-award-winning, internationally celebrated version will hit the Queensland stage following its UK premiere which earned rave reviews.

 

Audiences will experience a blending of new and old as they witness the unfolding of a 2,400-year-old tale of passion and revenge set in modern-day Queensland, with an even bigger twist — told entirely from the perspective of Medea’s young sons, 10-year-old Jasper and 12-year-old Leon. Despite its classical roots, director Daniel Evans described this story as one that will truly sink in for today’s modern audiences.

 

“This play is a completely contemporary reimagining of the classic myth. There are no Greek togas. There is no chorus to guide or warn us. But there is deep and extraordinary catharsis and two of the greatest protagonists in the theatre canon — Medea’s young sons, who show us this classic tale from the perspective of children,” Evans said.

 

“This is a tragedy in the classic sense: we watch human suffering and know terrible and sorrowful events will befall the characters. And there’s nothing we can do to stop it. But this is a candid and captivating, and sometimes surprisingly funny play, with star turns from our young performers.” Four of Queensland’s young actors have been selected to alternate playing the lead roles of young brothers, Jasper and Leon, including 13-year-old Orlando Dunn-Mura, 8-year-old Edward Hill, 10-year- old Felix Pearn, and 11-year-old Jeremiah Rees.

 

Queensland Theatre’s Associate Artistic Director (Education and Youth), Fiona MacDonald is working alongside the cast and crew to make the theatre stage a supportive, collaborative, and fun environment for the young cast members, which she said is an all-hands-on-deck effort. “Medea is a well-known, classic piece of theatre and mythology, but in the original work Medea’s children are silent. What’s thrilling about this piece is that it flips that and shows us only the children’s story.

 

“What I love about this version of Medea is that it positions young people as capable of considering very complex and serious themes, both as audiences and for the young performers, and offers a classic famous story through a contemporary lens based in the world and culture of the child. Dan and the team are working very closely with the four young people and their families to ensure this experience is a safe and supported journey, wrapping significant care and support around them as these young performers embark on their professional debut that is unlike most young people’s first foray into theatre,” MacDonald said. The young cast will stand alongside renowned Australian actor Helen Cassidy (Family Values, As You Like It) who will play the famous Medea.

 

“This thrilling new vision of Medea takes a full 180 degree turn from the well-worn Euripidean path. Here, the scorned woman and vengeful sorceress takes a backseat to Medea the mother. Audiences will see her overwhelming heartache and isolation coupled with the immense tenderness and love she has for her sons,” Cassidy added.

 

The cast will present the story inside an equally brilliant set by Chloe Greaves (don’t ask what the bird look like, Barbara and the Camp Dogs). Greaves’ design places the action behind a glass panelled fish tank to heighten the drama. This literal pressure cooker ups the tension as we watch the last 70 minutes of these young children’s lives. We can see in, but we can’t get them out.

 

Medea will take over Bille Brown Theatre, from Saturday 11 May until Saturday 8 June. Tickets are available at queenslandtheatre.com.au/plays/medea.

 

Photos by David Kelly

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...

Review: Picnic at Hanging Rock - Javeenbah Theatre Company

Written by Mark Rickell “The infamous picnic has become a faux Australian history that has haunted the Australian psyche for almost fifty years.” - Hunter Wall, Director This is the backdrop on which the story takes place, not that of the period in history, but in the present. In the effect of this story and what it means to Australians. Children study the text in schools, the name, and the mystery, is synonymous with Australian literature.  “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.” - Joan Lindsay, Author This adaptation of the text is extremely true to the original material, and serves as an excellent example of the power of theatre as a way of bringing stories to life. This adaptation, expertly staged at Javeenbah Theatre, is a triumph of storytelling. It is clear that dire...