Skip to main content

Article: Fun Home comes to Brisbane!

Adapted from Alison Bechdel's groundbreaking graphic novel, Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes. When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father’s hidden desires. Adapted by Jeanine Tesori (music) and Lisa Kron (book and lyrics), the musical has garnered numerous accolades including:


Winner: Five 2015 Tony Awards, including Best Musical, Best Score, and Best Book
Finalist: 2014 Pulitzer Prize for Drama
Winner: Two 2014 Obie Awards, including Outstanding Musical
Winner: 2014 Outer Critics Circle Award for Outstanding Off-Broadway Musical
Winner: Three 2014 Lucille Lortel Awards, including Outstanding Musical
Nominee: Three 2019 Olivier Awards, including Best New Musical

“FIVE STARS. Fun Home has enormous intelligence and sensitivity. It's not your ordinary
Broadway musical, because it is extraordinary.” – Time Out New York

“The best Broadway musical in years, with the finest score in a decade.” – Huffington Post

“Fun Home is a beautiful, sensitive, insightful, innovative and heartbreaking musical,
addressing themes including sexual identity, family, memory, truth and lies, and
suicide... The show is ingeniously structured, using a non-linear narrative that moves
back and forth in time to amplify the theme of memory and the impact of our parents and
family on who we become.” – Limelight, 2021

Fun Home performs at Pip Theatre August 29 - September 14, BOOK NOW!

Comments

Popular posts from this blog

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...