Skip to main content

Review: Burn The Floor - Dance Partner Productions

Written by Jake Goodall

Get ready for a night of high octane dancing extravaganza as Burn the Floor enters the Villa! Opening at the Brisbane Powerhouse for a short 3 day season before continuing on their National Australian Tour, this is the dance show of the year that you don't want to miss! Presented by Dance Partner Productions, Burn the Floor is on it's 25th anniversary tour hosted by Human Nature's Phil Burton. This Australian based production has seen many different iterations over the past 25 years from local and regional towns to Broadway and West End productions, proving that the story of dance is a lifelong commitment. 

Directed by Peta Roby, and choreographed by Jorja Freeman, Alberto Faccio, Robbie Kmetoni, if you could think of a style of dance this production had it included. As always with Burn The Floor, ballroom is the featuring genre and boy do the production cast prove their talent in this tight 90-minute show. The movement is fluid and each dancer gets their moment in the spotlight. The artistic direction by Roby is stunning also, the simple set and props really helped to promote dance as the spotlight. 

Musical Direction by Tyler Azzoparoi was absolutely stunning, the band was on absolute fire the entire night and did not miss a beat! Featuring Tia Gigliotti on Vocals, Jamie Valente on Guitar, Pat Madden on Drums and Mark Stefanoff on Keys and Vocals. Special mention to Stefanoff who was the standout vocalist of the evening, providing us with breathtaking incredible vocals all night long. 

Now this evening was all about the dance, so let's highlight some of the incredible dancers: Jorja Freeman, Alberto Faccio, Robbie Kmetoni, Jemma Armstrong, Gustavo Viglio (Dance Captain), Sophie Holloway, Lyu Masuda, Lily Cornish, Julian Caillon, Ana Rieram & Jackie Chambers. These stunning performers did not stop for a full 90 minutes providing the audience with an incredible feat of artistry. 

Overall Burn the Floor is an absolutely incredible night out at the theatre and one that every person of music and dance should attend! Burn The Floor plays at the Brisbane Powerhouse until August 24th before continueing their national tour. Tickets can be purchased here

Comments

Popular posts from this blog

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Picnic at Hanging Rock - Javeenbah Theatre Company

Written by Mark Rickell “The infamous picnic has become a faux Australian history that has haunted the Australian psyche for almost fifty years.” - Hunter Wall, Director This is the backdrop on which the story takes place, not that of the period in history, but in the present. In the effect of this story and what it means to Australians. Children study the text in schools, the name, and the mystery, is synonymous with Australian literature.  “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.” - Joan Lindsay, Author This adaptation of the text is extremely true to the original material, and serves as an excellent example of the power of theatre as a way of bringing stories to life. This adaptation, expertly staged at Javeenbah Theatre, is a triumph of storytelling. It is clear that dire...