Skip to main content

Review: Horizon - Playlab Theatre

Written by Jake Goodall

There’s something utterly liberating about cruising down the boundless roads of outback Australia, leaving behind the weight of daily worries and embracing the open expanse, except when there are secrets brewing. Playlab's recent revival of their 2021 hit, Horizon, captures this exhilarating sense of escape with breathtaking brilliance.

In this compelling 90-minute journey, we follow Cole and Sky as they embark on a road trip deep into the heart of Australia. Sky, weary of the monotony of corporate life, and Cole, grappling with his father’s illness, find their newfound freedom punctuated by a forgotten mixtape tucked away in the glove box. But as secrets begin to seep from the confines of their vehicle, the vast Australian bush turns eerily menacing, and the road trip games that once brought joy now feel hollow.

Written by Maxine Mellor, Horizon is a high-octane exploration of the Australian political landscape, pushing the audience to confront their own morals, ethics, and judgments. Mellor's script weaves together poetry, realism, and gothic themes with masterful precision, making it a thought-provoking experience for Southeast Queensland audiences.

Under the direction of Ian Lawson, this production is nothing short of immaculate. The entire set is ingeniously centered around a physical car on stage, with the vehicle serving as both a storytelling device and a visual focal point. The design is enhanced by full-length screens depicting the Australian bush, creating a cinematic quality that makes the production accessible and engaging for a diverse audience. Lawson's direction of the actors is particularly noteworthy, with naturalistic blocking during the introspective scenes and fluid movement during the more dynamic moments, adding depth to the storytelling. The blend of traditional and innovative techniques in this production transforms it into a captivating theatrical experience.

Nathan Sibthorpe’s AV design, though understated, significantly enriches the production, adding a subtle yet beautiful layer to the overall experience. The lighting by David Walters and sound by Guy Webster work in tandem to create an impactful and immersive space, enhancing the atmosphere of the play.

No performance would be complete without exceptional actors, and Horizon boasts two standout performances. Julian Curtis as Cole delivers a poignant portrayal of a man with a troubled past seeking redemption, while Ashlee Lollback as Sky captures the essence of an independent woman discovering her true self and aspirations. Their chemistry and dedication elevate the production, holding the audience’s attention throughout the entire 90 minutes.

In summary, Horizon is a five-star triumph, a must-see for theatre lovers, fans of Australian writing, and anyone who appreciates top-notch theatre. This production stands as a testament to the power of storytelling and the brilliance of its creative team.

Horizon plays until the 10th of August 2024 at Underground Theatre in the Brisbane Powerhouse. Tickets can be purchased here!

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Article: Some Girl(s) // Reverie Theatre Company

Join Guy on his cross-country trip to visit ex-girlfriends as Reverie Theatre Company presents "Some Girl(s)," a black comedy penned by the acclaimed playwright Neil LaBute. The production will take place at Javeenbah Theatre from Thursday, 18 April – Saturday 20 April. "Some Girl(s)" follows the journey of a successful writer on the eve of his wedding, who embarks on a cross-country trip to seek closure with his ex-lovers. Set against the backdrop of four hotel rooms, the play explores themes of love, regret, and the complexities of human relationships. The first stop on his tour is his now-married, high school sweetheart Sam (Cassie Baan); his second meeting is with sexually free-spirited Tyler (Candice Jean); his third with married college professor Lindsay (Corinne Le Claire), with whom he had an affair; and his final stop is to visit “the one that got away”, Bobbi (Sophie Lawson). Directed by Sophie Lawson and Candice Jean, Some Girl(s) is an astute and...