Skip to main content

Review: Horizon - Playlab Theatre

Written by Jake Goodall

There’s something utterly liberating about cruising down the boundless roads of outback Australia, leaving behind the weight of daily worries and embracing the open expanse, except when there are secrets brewing. Playlab's recent revival of their 2021 hit, Horizon, captures this exhilarating sense of escape with breathtaking brilliance.

In this compelling 90-minute journey, we follow Cole and Sky as they embark on a road trip deep into the heart of Australia. Sky, weary of the monotony of corporate life, and Cole, grappling with his father’s illness, find their newfound freedom punctuated by a forgotten mixtape tucked away in the glove box. But as secrets begin to seep from the confines of their vehicle, the vast Australian bush turns eerily menacing, and the road trip games that once brought joy now feel hollow.

Written by Maxine Mellor, Horizon is a high-octane exploration of the Australian political landscape, pushing the audience to confront their own morals, ethics, and judgments. Mellor's script weaves together poetry, realism, and gothic themes with masterful precision, making it a thought-provoking experience for Southeast Queensland audiences.

Under the direction of Ian Lawson, this production is nothing short of immaculate. The entire set is ingeniously centered around a physical car on stage, with the vehicle serving as both a storytelling device and a visual focal point. The design is enhanced by full-length screens depicting the Australian bush, creating a cinematic quality that makes the production accessible and engaging for a diverse audience. Lawson's direction of the actors is particularly noteworthy, with naturalistic blocking during the introspective scenes and fluid movement during the more dynamic moments, adding depth to the storytelling. The blend of traditional and innovative techniques in this production transforms it into a captivating theatrical experience.

Nathan Sibthorpe’s AV design, though understated, significantly enriches the production, adding a subtle yet beautiful layer to the overall experience. The lighting by David Walters and sound by Guy Webster work in tandem to create an impactful and immersive space, enhancing the atmosphere of the play.

No performance would be complete without exceptional actors, and Horizon boasts two standout performances. Julian Curtis as Cole delivers a poignant portrayal of a man with a troubled past seeking redemption, while Ashlee Lollback as Sky captures the essence of an independent woman discovering her true self and aspirations. Their chemistry and dedication elevate the production, holding the audience’s attention throughout the entire 90 minutes.

In summary, Horizon is a five-star triumph, a must-see for theatre lovers, fans of Australian writing, and anyone who appreciates top-notch theatre. This production stands as a testament to the power of storytelling and the brilliance of its creative team.

Horizon plays until the 10th of August 2024 at Underground Theatre in the Brisbane Powerhouse. Tickets can be purchased here!

Comments

Popular posts from this blog

Review: Cost of Living - Queensland Theatre Company & Sydney Theatre Company

Written By Grace Wilson It’s not often you get to witness a work that changes a theatrical landscape. Sometimes we see new and bright ideas come to life but with relatively little to no impact on the way we have seen theatre for centuries. We are almost used to seeing the spark fizzle, to see conversations die away - but this co production between Queensland Theatre and Sydney Theatre Compan of Cost of Living has turned the spark into full flame. Martyna Majok’s Cost of Living asks us what is the bottom line of love, and whether love is truly something that transcends boundaries, whether they be physical or emotional? The work itself is sharp, witty, and evocative - it uses dialogue and conversation in real time to ask these hard-hitting questions about love and our ability to love, without preaching to the choir. The story itself follows a crossroad of characters: John, a PhD student with cerebral palsy, and his new young carer, Jess, and Eddie, an older trucker who is caring for his ...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: 35mm: A Musical Exhibition - Passion Productions & Allentertainment

Written by Jake Goodall Pictures tell 1,000 stories, and in Passion Production's newest revival, 35mm: A Musical Exhibition, does just that, through energetic ensemble numbers and heart-wrenching ballads. Housed within the beautiful Pip Theatre, this production is set to wow audiences left right, and centre.  In 35mm, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. This intricately woven collection of stories told through song re-imagines what the modern musical can be.  Directed by Harrison Allen, the interpretation of the different songs were inspiring and quite different from the usual. For example the changing to a Female Gay 'Seraph' rather than Male was a delightful change that, whilst keeping the meaning of the song, provided us with a different perspective. Additionally the use of a wedding in 'Hemming & Hawing' was jaw dropping and heart wrenching again providing an unusual but ...