Skip to main content

Article: 35mm: A Musical Exhbition // Javeenbah Theatre Company

 
Prepare to be transported into a captivating world where music meets visual art as Javeenbah Theatre proudly presents "35MM: A Musical Exhibition." 

This unique and innovative musical experience is set to dazzle audiences on the Gold Coast from 3-17 February 2024. A fusion of photography, storytelling, and an extraordinary live soundtrack, "35MM" takes its audience on a mesmerizing journey through a series of snapshots, each depicting a compelling and evocative tale. 

 

The production showcases the collaborative genius of award-winning composer Ryan Scott Oliver, whose music effortlessly intertwines with the stunning visual narrative crafted by acclaimed photographer Matthew Murphy. 

Director Taylor Holmes says audiences can expect a sensorial feast from the emotive melodies to the striking visual compositions. "35MM promises an unforgettable night of entertainment that challenges the norm and pushes artistic boundaries," she said. 

Don't miss your chance to experience the magic of "35MM: A Musical Exhibition" at Javeenbah Theatre. 


Book online at www.javeenbah.org.au or phone 0417 004 466.

Comments

Popular posts from this blog

Article: The Empire Young Artist showcase original production

The Empire’s youngest artists have kicked off rehearsals for their original production, Our Egg Named Larry to be performed from July 12-13. Now in its 14th year, the audition-based elite performance program IMPACT sees a Junior Ensemble cast of eight aged 13-14, dive into the funny, heartwarming and at times ridiculous story of a group of students who are assigned to a project to keep a fragile egg named Larry in one piece. An original theatre piece, Our Egg named Larry was written by The Empire Youth Arts Lead Grace Sankey and co-writer Sheldon Mcloughlin, with ensemble members to contribute to the script writing process, drawing on discoveries they make about their own characters as rehearsals continue. “This year’s Junior Ensemble has a mixture of experience levels with some members who have done this program before and some who will be going on stage for the very first time,” Miss Sankey said. “I am so grateful to be in the rehearsal room with these amazing young people, creating ...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...