Skip to main content

Article: Waru is sure to delight these school holidays


 

Australia’s leading Aboriginal and Torres Strait Islander performing arts company, Bangarra Dance Theatre will bring its delightful work for children, Waru – journey of the small turtle to QPAC from Wednesday 26 to Saturday 29 June for the school holidays.

 

Fresh from its critically acclaimed (and kid approved!) Australian tour in 2023, Waru is a must- see new Australian work for children aged three to eight years and their families.

 

A journey of survival and discovery with our heroine Migi the turtle, the contemporary saltwater Lagaw Kazil (Island Children) story is inspired by the totemic system of the green turtle, in an interactive and immersive introduction to Torres Strait Islander culture and dance for three- to eight-year-olds.

 

Under the star-illuminated skies of the Torres Strait, a green turtle navigates her way back to the beach where she was born. The season has started, the turtles are returning to nest, and soon the island will welcome a new generation of hatchlings – amongst them, our small turtle friend, Migi.

 

Waru is created by Bangarra’s former artistic director and multi award-winning choreographer Stephen Page, together with Hunter Page-Lochard (ABC TV’s Playschool, Spear, ABC TV’s Cleverman), and Bangarra alumni Dancers and Choreographers Sani Townson and Elma Kris.

 

Waru provides parents, care-givers and teachers with a unique opportunity to open up

conversations about climate change, caring for the environment and the traditional cultural values of respect and reciprocity.

 

Director Stephen Page said he was looking forward to sharing this poignant and endearing story with Queensland audiences. “Waru is about celebrating the connection of Torres Strait Islander people to sea, land, and sky,” he said.

 

“Even though it’s a children’s show, it carries very old stories of the green turtle’s life cycle

that will connect to all people today. We’re excited to give young people a glimpse into the lives of the Torres Strait people and their stories.”

 

Waru writer Hunter Page-Lochard said both his personal and professional experiences have informed his approach to creating the show. “I’m thrilled to be able to work with my father on a children’s show, especially now that I have a two-year-old daughter,” he said.

 

“Being a part of Playschool has given me an even greater appreciation of the importance of sharing culture with young people in Australia today, and I’m excited to be able to share the culture and stories of fellow creatives Sani and Elma with the youth community”. Arts Minister Leeanne Enoch said the internationally acclaimed Bangarra Dance Theatre continues to inspire audiences with powerful stories of culture and Country.

 

“The Queensland Government is committed to ensuring communities around the state have access to high quality touring arts experiences,” Ms Enoch said. “We’re supporting Bangarra’s tour of regional Queensland this year to deliver on our 10-year Creative Together strategy, which includes celebrating First Nations arts, stories and storytellers on the world stage ahead of the Brisbane 2032 Olympic and Paralympic Games.”

 

Waru – journey of the small turtle will take to QPAC’s Playhouse from Wednesday 26 to Saturday 29 June. Tickets are on sale now via qpac.com.au or 136 246.

Comments

Popular posts from this blog

Review: Theory of Relativity // Footlights Theatrical

  Written by Jake Goodall If Person A moves along at 3 miles per hour, and Person B trails behind slightly slower at 2 miles per hour, Their paths do not intersect, nonetheless, does B change A's trajectory?  This intriguing question lies at the heart of Footlight Theatricals' latest production, Theory of Relativity, staged at the Pip Theatre, a captivating performance not to be missed in South East Queensland's vibrant theatre scene. Theory of Relativity weaves together a tapestry of seemingly disparate songs, scenes, and monologues, interconnecting to showcase the profound ties that bind humanity. Centered around themes of self-discovery and belonging, the narratives delve into the intricacies of love, identity, and the myriad experiences that shape our existence. From the highs and lows of romantic entanglements to the quirks of allergies, the diverse array of characters invites audiences on an unforgettable journey through the rich tapestry of human connection. Under th...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...