Skip to main content

Review: Chicago // Crossroads Live


Get ready to experience All That Jazz in Crossroads Live's production of Chicago at the Queensland Performing Arts Centre! This delectable production is a stunning recreation of the world-renowned Bob Fosse's original show based on the play by Maurine Dallas Watkins. 

Every element of this production was cool and calculated, from the sultry costume design to the impressive lighting, the creative team has clearly worked hard to create this fantastic story. Most of this production is a recreation of the Broadway version giving Australia its very own slice of New York, and Crossroads Live's production lives up to the big white way. 

Technical elements were stunning, utilisng patterned lights to create the jail cell, visitors room, and murder the lighting design really helped the audience to understand the setting and place in this bare staged production. In terms of set design, it was minimal, all the action happened in front of a massive bandstand (where the band actually was!) and only utilised small props and the classic black chairs. 

The incomparable Anthony Warlow played the suave lawyer Billy Flynn with confidence and an insurmountable stage presence. Warlow is an extremely accomplished and seasoned professional and a true highlight of this production. Zoe Ventoura as Velma Kelly was hard-hitting and sassy as hell, Ventoura's rendition of the opening number, All That Jazz, was enough to have the audience whooping with thunderous applause. Lucy Maunder as the merry murderess Roxie Hart was impeccable, their manipulative acting had the audience in the palm of their hand the entire production, even till the last moment when the audience wanted her to get away with murder!

Peter Rowsthorn as the invisible man, Amos Hart, was loving and adorable. It was impossible to not fall in love with Rowsthorn's character as they portrayed Amos with heart and soul. Rounding out this production was Asabi Goodman as Matron 'Mama' Morton, Goodman is an incredible vocalist commanding the stage during the famous When You're Good to Mama which brought the entire house down. Goodman is an absolute star and we're excited to see where she goes!

Overall, Chicago is a fantastic night out in Brisbane City showcasing the best of the best when it comes to Australian theatre. Chicago runs until February 4th at the Queensland Performing Arts Centre before touring to Melbourne, Sydney, and Adelaide. Don't miss out on this stellar production, book your Brisbane tickets HERE


Comments

  1. Was a beautiful staging of this classic - completely agree with you! Sharon :) :)

    ReplyDelete

Post a Comment

Popular posts from this blog

Review: The Cemetery Club - Tugun Theatre

Written by Rett Visser Meet the Cemetery Club! Three longtime friends in their late fifties to early sixties, who are now also united by bereavement. Meeting once a month to visit the cemetery where their deceased husbands lay, their friendship and love for their husbands form the cornerstone of ‘The Cemetery Club’. As in real-life, each woman is dealing with grief differently, as every relationship is different: Doris is struggling with losing the love of her life Abe, despite it being four years since his passing, Lucille is kicking up her heels and spending the inheritance left by the unfaithful Harry, and Ida misses her Murry but realises that she doesn’t want to mourn forever. When Sam, the widower meets the ladies whilst visiting the grave of his deceased wife, a shy attraction to Ida sees cracks in the friendships begin to grow. Efficiently directed by Julie Neumann, the space was well-considered enabling the audience to feel like they were included in the conversation as the la...

Love Labour’s Lost // Footlight Theatrical

  By Jake Goodall “Your wit’s too hot, it speeds too fast, ’twill tire.” Footlight Theatrical’s Love Labour’s Lost sets hearts ablaze with wit and charm in a dazzling Queensland Premiere at the Ron Hurley Theatre in Seven Hills! William Shakespeare’s brilliant and hilarious comedy takes centre stage as the King and his friends swear off women, only to find themselves falling in love with a princess and her ladies.  The ensuing courtship and a year of separation make for an unsatisfying yet tantalizing ending, leaving the audience yearning for more. Could Shakespeare’s elusive sequel, ‘Love’s Labour’s Won,’ hold the key to further adventures? Only time will tell, leaving us at the mercy of the bard’s whims. The production’s set, masterfully designed by Ian Johnson, immerses us in a visually stunning world reminiscent of Mamma Mia. The use of Greek-inspired elements and a towering white wall representing the King’s house are executed with finesse, while the on-stage spa adds an ...

Review: Company - Phoenix Ensemble

  Written by Mark Rickell "Company, Sondheim’s sixth Broadway musical, was his breakthrough to serious credibility. It received 14 Tony Award nominations, a record at the time. It’s a minimally plotted collection of songs and stories (more like a revue than a traditional musical) about a single man, his married friends, and several girlfriends. Robert wrestles with relationships and commitment. The show’s title has multiple facets, all important to appreciating its complexity. “Company” is the opposite of solitude and loneliness. It means being surrounded by friends and loved ones. It’s also the tightly knit ensemble of actors performing a show.” - Rick Pender, Everything Sondheim Company at Phoenix Ensemble was exactly as Rick has suggested above. A tight knit, and truly excellent, ensemble of actors performing this show. Director Tammy (Sarah Linde) and assistant director Luke (O’Hagan) are responsible for the set design and the simplicity of form and function they have elected ...