Skip to main content

Interview: Deborah Conway AM // Book of Life

 ​​

 Australian music legend, Deborah Conway AM returns to the Queensland Performing Arts Centre this April as a part of her national tour of Australia. We got the chance to sit down with Deborah to have a brief chat about her new show and the music industry!

Can you share a little about your book 'Book of Life'?

Book of Life is a memoir detailing stories of growing up in an idiosyncratic household, of becoming a musician, the sordid adventures of youth, the at odds relationships musicians have with the music industry, of love, of becoming a mother, of work, of creativity, through to the full flowering maturity of all facets of growing into an adult in the most complete way.

What was the approach to bring the book to stage in this show?

I started writing in November 2019, sitting on my couch in Melbourne. March 2020 brought the cancellation of everything. I was very fortunate to have begun a project that I was finding so absorbing. As the lockdowns stretched on in Victoria, my project got longer. And still lockdowns continued and no-one was allowed to leave their houses. We were restless, online Zoom concerts could only provide so much in the way of connection. But hey we had a property, why not use it as the basis to tell a theatrical story. Willy & I wrote Songs From the Book of Life as lockdown continued. The idea was to marry all the many ways of story telling, props, sets, costumes, role-play, song, movement, technology and interactive dialogue with the past.

What can audiences expect from the show?

A fast moving, surprising evening of twists & revelations. Laughing, crying & applauding wildly have all been observed by us in the wilds of theatre-land.

What would you say to young people starting out in the music industry today?

The music business, like everything else, is changing with frightening rapidity. But the one thing that hasn’t changed is it has always been a jungle out there. The best thing anyone embarking into the uncertain seas of a career in music is to pay attention and work as hard as you can. This is not for the faint-hearted.

Deborah's National tour has already begun at the Sydney Festival, however, the show is coming to multiple venues across the nation:

Canberra Festival - 28 Feb 2024

Wagga Wagga Civic Centre - 2 March 2024

Burrijna Cultural Centre - 23 March 2024

Frankston Arts Centre - 24 March 2024

Queensland Performing Arts Centre - 12 & 13 April 2024

This is a show you don't want to miss out on from a LEGEND of the Australian music industry! Tickets for the QPAC show are selling extremely quickly and can be purchased at qpac.com.au

Originally Written for BroadwayWorld.com

Comments

Post a Comment

Popular posts from this blog

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...