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Review: When The Rain Stops Falling // Brisbane Arts Theatre


Written by Grace Wilson

Australian classics form the bones of contemporary theatre in this country, and revivals of these works always serve as a palate cleanser in an arts world that is continually evolving. Brisbane Arts Theatre’s revival of ‘When The Rain Stops Falling’ by Andrew Bovall is a welcome example of when Australian classics are given a hearty remounting with a strong sense of Australian spirit. The story itself is a multi-layered exploration of family trauma and how secrets, betrayal and love can span over decades and continents.

Direction by Hamish Chappell and Blake Young was a stand out with this work. Utilising the simplicity of the stage to help transform and transfer through continents and times was brilliant in establishing when and where the audience was. The dinner table was the centrepiece of this work, and Chappel and Young made sure this space was the space for heartfelt family discussions and raw, challenging arguments. The way double casting was also utilised by Chapell and Young added another level of intensity to this piece, supporting monologues that mirrored between old and young generations, and reflections of the past happened in real time. 

The cast itself varied in age and experience but together brought to life the main themes within this story. With quick paced changes between different decades and continents, each actor knew the stakes their character was facing and this was well delivered to the audience. Liam Wilson as both Gabriel Law and Andrew Price, gave a well rounded performance that was well paced and matured, showing a depth of understanding and characterisation throughout the entirety of the show. Claire Marchesi’s performance as Gabrielle York (Older) was another standout delivery, with poise and maturity that gave insight into the years of trauma that Gabrielle went through.

Set design by Scott Lymbery was minimal and simple, allowing for transitions between time and place much more quickly and allowing actors to make use of the stage as their own. Supporting the set design was lighting and sound by Zoe Power, which also assisted the quick movements across time and space. Of worthy mention is also costume design by Nick Scotney which very well showed a divide between generations and location, and helped establish connection between old and young versions of characters.

Overall, this production of ‘When The Rain Stops Falling’ was heartfelt and well rounded. It demonstrated an immense connection between ensemble and the way that Australian classics still ring true today and provide an eerie insight of what happens if we neglect the world and each other for much longer.

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