Skip to main content

Article: Uncover the Mystery of Picnic at Hanging Rock - Javeenbah Theatre

Javeenbah Theatre is delighted to present its upcoming production of Picnic at Hanging Rock, a dramatic adaptation of Joan Lindsay’s legendary novel, brought to life by Tom Wright. Scheduled to run from June 15 through June 29, 2024, this show is set to deliver a powerful and enthralling theatrical experience.

Picnic at Hanging Rock unveils the chilling narrative of the inexplicable disappearance of three schoolgirls and their teacher on Valentine’s Day in 1900. This story of suspense and mystery has mesmerized audiences for generations, persistently blurring the distinction between legend and historical reality.
Under the direction of the gifted Hunter Wall, this rendition infuses a novel and modern viewpoint into the well-known Australian legend. Wall's creative vision is complemented by a dedicated cast and crew who bring this haunting tale to the stage.
Hunter Wall, marking his directorial debut at Javeenbah Theatre, shares his enthusiasm: "I am ecstatic to bring this evocative and significant production to life with such a passionate and talented group. Picnic at Hanging Rock delves into the profound aspects of the Australian identity, and we eagerly anticipate sharing our interpretation with the audience."


Make sure to join in for what promises to be a memorable and spine-chilling performance. Javeenbah Theatre invites you to immerse yourself in the enigmatic world of Picnic at Hanging Rock, where the lines between reality and myth are intriguingly blurred. This production is sure to leave a lasting impression, so book your tickets today and be part of this extraordinary theatrical journey. 
 
 Tickets are available now and can be purchased online or by calling the box office at 0417 004 466

Comments

Popular posts from this blog

Article: The Empire Young Artist showcase original production

The Empire’s youngest artists have kicked off rehearsals for their original production, Our Egg Named Larry to be performed from July 12-13. Now in its 14th year, the audition-based elite performance program IMPACT sees a Junior Ensemble cast of eight aged 13-14, dive into the funny, heartwarming and at times ridiculous story of a group of students who are assigned to a project to keep a fragile egg named Larry in one piece. An original theatre piece, Our Egg named Larry was written by The Empire Youth Arts Lead Grace Sankey and co-writer Sheldon Mcloughlin, with ensemble members to contribute to the script writing process, drawing on discoveries they make about their own characters as rehearsals continue. “This year’s Junior Ensemble has a mixture of experience levels with some members who have done this program before and some who will be going on stage for the very first time,” Miss Sankey said. “I am so grateful to be in the rehearsal room with these amazing young people, creating ...

Review: Hair - Gold Coast Little Theatre

 Written by Mark Rickell   “Back in the late 1960s, the artists of off-Broadway and off-off-Broadway had been complaining that the professional theatre was dead, and even worse, that it was boring. Hair was the revolution they had been waiting for. With very little plot, a unit set, plenty of four-letter words, explicit sexual content, rituals, drugs, lyrics that didn’t rhyme, music that didn’t follow the rules, and the sound of genuine rock and roll on the Broadway stage for the first time, this musical knocked Broadway on its collective ass.” - Scott Miller, Rebels with Applause: Broadway's Ground-Breaking Musicals   Gold Coast Little Theatre has faithfully continued the tradition of knocking theatre on its ass. With themes and topics that remain just as relevant today as they did in 1967 at the show’s original release, GCLT has absolutely smashed this Broadway classic. At a time when theatres across South East Queensland seem to be falling back o...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...