Skip to main content

Article: Uncover the Mystery of Picnic at Hanging Rock - Javeenbah Theatre

Javeenbah Theatre is delighted to present its upcoming production of Picnic at Hanging Rock, a dramatic adaptation of Joan Lindsay’s legendary novel, brought to life by Tom Wright. Scheduled to run from June 15 through June 29, 2024, this show is set to deliver a powerful and enthralling theatrical experience.

Picnic at Hanging Rock unveils the chilling narrative of the inexplicable disappearance of three schoolgirls and their teacher on Valentine’s Day in 1900. This story of suspense and mystery has mesmerized audiences for generations, persistently blurring the distinction between legend and historical reality.
Under the direction of the gifted Hunter Wall, this rendition infuses a novel and modern viewpoint into the well-known Australian legend. Wall's creative vision is complemented by a dedicated cast and crew who bring this haunting tale to the stage.
Hunter Wall, marking his directorial debut at Javeenbah Theatre, shares his enthusiasm: "I am ecstatic to bring this evocative and significant production to life with such a passionate and talented group. Picnic at Hanging Rock delves into the profound aspects of the Australian identity, and we eagerly anticipate sharing our interpretation with the audience."


Make sure to join in for what promises to be a memorable and spine-chilling performance. Javeenbah Theatre invites you to immerse yourself in the enigmatic world of Picnic at Hanging Rock, where the lines between reality and myth are intriguingly blurred. This production is sure to leave a lasting impression, so book your tickets today and be part of this extraordinary theatrical journey. 
 
 Tickets are available now and can be purchased online or by calling the box office at 0417 004 466

Comments

Popular posts from this blog

Article: 37 // Queensland Theatre

Queensland Theatre's newest productions is stunning audiences with its powerhouse story full of all things footy, bringing community spirit, thrilling energy and intense physicality to the stage in 37, playing at the Bille Brown Theatre until 4 May. Penned by twice-named Tasmanian Aboriginal Artist of the Year, Nathan Maynard, and directed by renowned Australian director and proud Noongar man, Isaac Drandic, the co-production with Melbourne Theatre Company brings together an ensemble of 10 men to portray a local footy team’s struggle from the bottom of the ladder. Named after the immortalised number Adam Goodes wore on his AFL jersey and set within the era of his famous war-cry, 37 follows the fictional Cutting Cove Currawongs in their fight for premiership glory, which playwright Nathan Maynard described as a story many can relate to. “I won’t go into the themes I touch on in the work because that’s why I wrote the play, for both the audience and I t...

Review: Scenes From a Yellow Perril - The Reaction Theory & Queensland Theatre Door 3

Written by Grace Wilson The best kind of theatre is theatre that makes people question, reflect and consider how uncomfortable questions encourage people to act and change. There are not many theatre pieces out there that can make an audience consider whether to laugh or cringe, smile or grimace. However, The Reaction Theory’s ‘Scenes From a Yellow Peril’, as a part of Queensland Theatre’s Door 3 program, masterfully manipulates the uncomfortable with the comedic, the angry with the heartfelt, and asks the audience if uncomfortable questions are worth the discoveries that come with them. ‘Scenes From A Yellow Peril’ by Chinese-New Zealand writer and poet, Nathan Joe, can truly be described as poetry on stage, a turbulent experience of communication and heightened emotions. The audience is exposed to complexities and challenges of BIPOC communities across the world in a way that does not fit the traditional theatre mould. There is no way to predict what Joe writes next; each scene chops...

Review: The Norman Mailer Anecdote - Queensland Theatre (Door 3)

Written by Grace Wilson The Norman Mailer Anecdote, produced by Big Scary Animal kicked off Queensland Theatre’s Door 3 program with hard-hitting questions, complex narratives, and well-rounded performances. The Door 3 program, new to Queensland Theatre in 2024, gives space for emerging artists to create and perform pitched work with support and space contributed by Queensland Theatre. For a premiere program of this size, it was a waiting game to see how high the bar would be set, and Big Scary Animal set the precedent for Door 3 works to come.  The Norman Mailer Anecdote by Anthony Mullins explores ideas of sexual assault and the relationships that come apart in times of crisis. The work itself was confronting - it tackled these ideas through a lens of upper middle-class Australia, specifically Brisbane, and used both the lens of legal terminology and creative writing to create a wide scope when approaching the program.  The cast itself was intimate and connected - standout p...