Skip to main content

Article: Disney Off Ice - Observatory Theatre

 


The rumours are true...He's back! From the makers of big, bold and ambitious productions Observatory Theatre comes the highly anticipated Disney Off Ice, an absurd lampoon that imagines the infamous urban legend of Walt Disney's cryonic freezing.

After decades frozen in the cryonic tank, Disney is feeling refreshed and ready to make his mark in the new world. But times have changed. The theme parks are gone. And it’s not such a small world after all. Now, he finds himself the property of a media conglomerate and at the heel of a strict publicist determined to set him straight. Welcome to the future, Disney!

"The show is a rollercoaster ride through a hyper-futuristic world" says director Lachlan Driscoll (Picnic at Hanging Rock, The Turquoise Elephant). Written by Oliver Gough (Playlab Theatre Incubator, La Boite Assembly), the show promises to be a fast paced, hilarious and startling time. "The fascinating figure of Uncle Walt and the legacy that he left brings forth a number of ideas that are urgent in our current times," Driscoll says, "The meaning of happiness and success today, the cost of living, and our pursuit for connection in a disconnected world."

Disney Off Ice was commissioned by Observatory Theatre through the Telescope New Writing initiative, which supports writers to explore "pie in the sky" ideas and to write stories that they may have been putting off or not encouraged to create yet. "Oliver has created magic with Disney Off Ice," says Driscoll, "It really is unlike anything I have read or seen on stage before."

Disney Off Ice plays a limited season this August 16 to September 1 at Studio1 in Yeerongpilly. Don't miss out, BOOK NOW!

Comments

Popular posts from this blog

Review: Picnic at Hanging Rock - Javeenbah Theatre Company

Written by Mark Rickell “The infamous picnic has become a faux Australian history that has haunted the Australian psyche for almost fifty years.” - Hunter Wall, Director This is the backdrop on which the story takes place, not that of the period in history, but in the present. In the effect of this story and what it means to Australians. Children study the text in schools, the name, and the mystery, is synonymous with Australian literature.  “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.” - Joan Lindsay, Author This adaptation of the text is extremely true to the original material, and serves as an excellent example of the power of theatre as a way of bringing stories to life. This adaptation, expertly staged at Javeenbah Theatre, is a triumph of storytelling. It is clear that director

Article: Drama Dispatch Team's Achievements!

In the vibrant world of Australian theatre, few opportunities shine as brightly as La Boite’s Assembly Program. This prestigious initiative has long been a beacon for nurturing creative talent and fostering innovative storytelling. This year, we are thrilled to announce the inclusion of two exceptional individuals from our ranks: Grace Wilson, a celebrated playwright and regular Drama Dispatch Reviewer, and Jake Goodall, an acclaimed director and Drama Dispatch's Managing Director. Their acceptance into the Assembly Program promises to enrich the Australian theatre landscape with fresh perspectives and compelling narratives. Grace Wilson’s journey as a writer is nothing short of inspiring. With a background in playwriting, Wilson has carved out a niche for herself with her unique voice and evocative storytelling. Her works often explore the intricacies of human relationships, societal norms, and the complexities of identity. Wilson’s ability to weave intricate plots with deep emoti

Review: Cost of Living - Queensland Theatre Company

Written By Grace Wilson It’s not often you get to witness a work that changes a theatrical landscape. Sometimes we see new and bright ideas come to life but with relatively little to no impact on the way we have seen theatre for centuries. We are almost used to seeing the spark fizzle, to see conversations die away - but Queensland Theatre’s production of Cost of Living has turned the spark into full flame. Martyna Majok’s Cost of Living asks us what is the bottom line of love, and whether love is truly something that transcends boundaries, whether they be physical or emotional? The work itself is sharp, witty, and evocative - it uses dialogue and conversation in real time to ask these hard-hitting questions about love and our ability to love, without preaching to the choir. The story itself follows a crossroad of characters: John, a PhD student with cerebral palsy, and his new young carer, Jess, and Eddie, an older trucker who is caring for his wife Ani, who was left wheelchair-bound