Article: The Empire Young Artist showcase original production

The Empire’s youngest artists have kicked off rehearsals for their original production, Our Egg Named Larry to be performed from July 12-13.

Now in its 14th year, the audition-based elite performance program IMPACT sees a Junior Ensemble cast of eight aged 13-14, dive into the funny, heartwarming and at times ridiculous story of a group of students
who are assigned to a project to keep a fragile egg named Larry in one piece.

An original theatre piece, Our Egg named Larry was written by The Empire Youth Arts Lead Grace Sankey and co-writer Sheldon Mcloughlin, with ensemble members to contribute to the script writing process, drawing on discoveries they make about their own characters as rehearsals continue.

“This year’s Junior Ensemble has a mixture of experience levels with some members who have done this program before and some who will be going on stage for the very first time,” Miss Sankey said. “I am so grateful to be in the rehearsal room with these amazing young people, creating something so uniquely special to them, celebrating who they are and what they are capable of,” she said.

“IMPACT is an incredibly unique offering to the young people in our community and this group are excited to share their ideas and thoughts as we work towards our performances in July.”

The IMPACT program continues with the 2024 Senior Ensemble soon to commence rehearsals.

Tickets to Our Egg Named Larry are on sale now. For more information or to purchase tickets, contact the Ticket Office on 1300 655 299 or visit empiretheatre.com.au.

Comments

Review: Picnic at Hanging Rock - Javeenbah Theatre Company

Written by Mark Rickell “The infamous picnic has become a faux Australian history that has haunted the Australian psyche for almost fifty years.” - Hunter Wall, Director This is the backdrop on which the story takes place, not that of the period in history, but in the present. In the effect of this story and what it means to Australians. Children study the text in schools, the name, and the mystery, is synonymous with Australian literature. “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.” - Joan Lindsay, Author This adaptation of the text is extremely true to the original material, and serves as an excellent example of the power of theatre as a way of bringing stories to life. This adaptation, expertly staged at Javeenbah Theatre, is a triumph of storytelling. It is clear that director

Review: Cost of Living - Queensland Theatre Company

Written By Grace Wilson It’s not often you get to witness a work that changes a theatrical landscape. Sometimes we see new and bright ideas come to life but with relatively little to no impact on the way we have seen theatre for centuries. We are almost used to seeing the spark fizzle, to see conversations die away - but Queensland Theatre’s production of Cost of Living has turned the spark into full flame. Martyna Majok’s Cost of Living asks us what is the bottom line of love, and whether love is truly something that transcends boundaries, whether they be physical or emotional? The work itself is sharp, witty, and evocative - it uses dialogue and conversation in real time to ask these hard-hitting questions about love and our ability to love, without preaching to the choir. The story itself follows a crossroad of characters: John, a PhD student with cerebral palsy, and his new young carer, Jess, and Eddie, an older trucker who is caring for his wife Ani, who was left wheelchair-bound

Article: Turning Tragedy into Child's Play for Medea - Queensland Theatre

Queensland Theatre will present an unforgettable reimagining of history’s most misunderstood mother, in a bittersweet pressure-cooker performance of the ancient Greek tragedy, Medea at the Bille Brown Theatre from Saturday 11 May. Penned by Kate Mulvany (Jasper Jones) and Anne-Louise Sarks, and directed by Queensland Theatre’s Associate Artistic Director (Programming) and three-time Matilda Award winner, Daniel Evans (Drizzle Boy, The Almighty Sometimes, Vietgone), the multi-award-winning, internationally celebrated version will hit the Queensland stage following its UK premiere which earned rave reviews. Audiences will experience a blending of new and old as they witness the unfolding of a 2,400-year-old tale of passion and revenge set in modern-day Queensland, with an even bigger twist — told entirely from the perspective of Medea’s young sons, 10-year-old Jasper and 12-year-old Leon. Despite its classical roots, director Daniel Evans described this story as one that wi

Drama Dispatch

Search This Blog