Skip to main content

Article: Horizon makes its way to Brisbane Powerhouse!

 

‘Nothing like hitting the road to leave your troubles behind.’


Playlab Theatre’s, Horizon returns to the stage July 31, 2024, at the Brisbane Powerhouse.

Commissioned by Playlab Theatre and written by award-winning playwright Maxine Mellor, Horizon is an AWGIE award-winning script exploring the current political and social climate of Australia, and where we are headed as a nation — who is driving and to where?

With the horizon ahead of them, Cole and Sky drive into the guts of the country in search of freedom. Cole’s dad is sick, Sky is bored of the corporate ladder, and so they’re excited to hit the road and leave their problems behind. Their newfound freedom is underscored by a long-forgotten mix tape buried deep in the glovebox, but out of the static emerges the past. When secrets start to leak from the car, dingoes begin to stalk them, and the bush seems more haunting than before. The road trip games aren’t fun anymore.

“Cole and Sky are driving to the heart of the country that lies exposed in open cut mines. Along the way, they are cutting deep into their hearts to discover their own abuses, fault lines and desires,” says playwright Maxine Mellor. “For Cole, returning home, the sparse and stark landscape offers little protection to hide his past shame. For Sky, this landscape is new and at times terrifying, and so is her inner terrain — she is feeling lost and alien in her own skin.”

Horizon by Maxine Mellor is once again directed by Ian Lawson and stars new cast members Ashlee Lollback and Julian Curtis. The season runs July 31 – August 10 2024, tickets are on sale via playlabtheatre.com.au.

The playwright, director, and actors are available for interviews. Reviewers are invited to contact Playlab Theatre to organise complimentary tickets.

Horizon by Maxine Mellor is an AWGIE Award winning work for Best Stage Original Script and the 2022 winner of the Australian Writers’ Guild’s David Williamson Prize for Excellence in Writing for Australian Theatre, made possible by the generous donation of David and Kristin Williamson and
Shane and Cathryn Brennan.


More information can be found at playlabtheatre.com.au.

Comments

Popular posts from this blog

Review: Freshblood Festival - Vena Cava

Written By Thor Morrison Upcoming creatives need a place to experiment, to prosper, to explore, and even to sometimes miss the mark. It is essential that spaces that allow this to happen exist, especially in a world obsessed with perfectionism. The Freshblood Festival is an annual event run by QUT Student Theatre Company Vena Cava, focused on young writers and performers, and it does just that. It provides a space for the new and upcoming creatives of Brisbane and surrounds to experiment, have fun, and create really exciting performances. Held at BackDock Arts in Fortitude Valley, and running over two consecutive weekends, it is a massive endeavour Vena Cava have given themselves. 14 independent shows, two play readings, and 8 music acts ensure that Freshblood has something for everyone to enjoy, and shows the variety and scale of the Festival itself. Drama Dispatch was able to attend most of the second weekend, seeing a total of seven shows and a play reading, and was greatly impresse...

Review: Burn The Floor - Dance Partner Productions

Written by Jake Goodall Get ready for a night of high octane dancing extravaganza as Burn the Floor enters the Villa! Opening at the Brisbane Powerhouse for a short 3 day season before continuing on their National Australian Tour, this is the dance show of the year that you don't want to miss! Presented by Dance Partner Productions, Burn the Floor is on it's 25th anniversary tour hosted by Human Nature's Phil Burton. This Australian based production has seen many different iterations over the past 25 years from local and regional towns to Broadway and West End productions, proving that the story of dance is a lifelong commitment.  Directed by Peta Roby, and choreographed by Jorja Freeman, Alberto Faccio, Robbie Kmetoni, if you could think of a style of dance this production had it included. As always with Burn The Floor, ballroom is the featuring genre and boy do the production cast prove their talent in this tight 90-minute show. The movement is fluid and each dancer gets ...

Review: Merrily We Roll Along - Ad Astra

  Written by Jake Goodall Merrily We Roll Along is a Steven Sondheim classic that is currently playing on the Broadway stage in New York. This revival features a stunning 21-strong cast and full musical orchestra, so when Ad Astra decided to bring this massive production to the intimate setting of their theatre we were sceptical. However, Ad Astra proved that you don't need a massive cast or band to produce these musicals in Australia, just an extremely talented production team and cast! Merrily We Roll Along follows the successful career of Broadway composer turned Hollywood producer Franklin Shepard backward in time. Throughout the show, during which time regresses from 1976 to 1957, we learn how Frank accomplished this - with the help of his best friends Charley (who writes the books and lyrics) and Mary (who is a writer in her own right and is always around for support and guidance). The trio of friends are inspired to become big players in American musical theatre and book wri...