Skip to main content

Article: Drag Superstar, Bianca Del Rio, is coming to Australia


BIANCA DEL RIO has officially announced her new stand-up world comedy tour titled Dead Inside, which will bring the RuPaul’s Drag Race icon to Australia and New Zealand in January and February 2025.

 

The comic’s sixth large-scale stand-up tour, Dead Inside, will cover politics, pop culture, political correctness, current events, cancel culture and everyday life through the eyes of someone who's “dead inside,” finding humor in everything.

 

"I'm coming out of my crypt and hitting the road again to remind everyone that I'm still DEAD INSIDE!,” Bianca shared. “If you enjoy irreverent humor, like sparkly costumes and are NOT easily offended… this is the show for you!"

 

Fans can expect their favorite self-proclaimed “clown in a gown” to return to the stage with the same lightning-fast wit and razor-sharp tongue they’ve grown to love. Bianca is a pro at entertaining the masses, and audiences can look forward to an abundance of interaction between the comedic icon and her crowd.

 

Dead Inside follows the massive success of Bianca’s two most recent comedy tours, Unsanitized, during which she performed to sold out audiences in 99 cities across 27 countries, and It’s Jester Joke, making history as the first drag queen to headline Wembley Arena and Carnegie Hall, selling out both venues.

This highly anticipated tour kicked off in February 2024 in San Diego before hitting New York City, Chicago, Boston, Phoenix, Atlanta and 60 more cities across North America, followed by UK, Europe and UK.

 

Coming to Brisbane 28 & 29 January 2025! Tickets will be ON SALE at 9am Friday 19 July (local time) at biancadownunder.com

Comments

Popular posts from this blog

Review: Medea - Queensland Theatre

Written by Grace Wilson From little things, big things grow. It’s a saying that is so Australian and so rooted in our culture. It inspires and it gives hope. Everyone knows of this saying and the song attached to it, but never have we experienced a situation where this saying comes to mind. That is until  Queensland Theatre’s production of Medea by Anne-Louise Sarks and Kate Mulvaney, directed by Daniel Evans. This adaptation of this famous Greek tragedy focuses on the perspective of the two sons of Jason and Medea. In the original myth, we see little to no actual story from these two young boys - so to see an adaptation from a frankly inaccessible storyline in the traditional drama was a bold and incredibly smart choice. To truly appreciate the way the playwrights took this traditional myth and flipped it on its head, a knowledge of the actual myth was required because the subtleties of references could easily be missed. The play ranged from blatant acknowledgments of the traditio...

Review: The Haunting - Tugun Theatre Company

Written by Jake Goodall There is nothing better than heading to the theatre on a cold & rainy night to watch a gothic play about a haunting, and Tugun Theatre's recent production of The Haunting proved there is still a space for horror ghost plays in the world.  Based on the Charles Dickens Novel (and adapted by Hugh Janes), the story follows a young book dealer, David Filde, when he is employed by a former associate of his uncle to catalog a private library, he finds an incredible array of rare and antiquated books. But as a series of strange and unexplained events conspire to keep Filde from his work, he realises that if he is to convince his skeptical employer that the mysterious phenomena he is experiencing are real, they must journey together to the very edge of terror, and beyond. This reviewer was lucky to see the West End hit production The Women in Black recently at the Playhouse, QPAC which set the bar for horror ghost stories, and with the resources available to them...

‘PASHUN’ // TheatrePunk Co.

  What happens when masculine, feminine, and a touch of envy energy are amplified in modern society? You get ‘PASHUN’ by TheatrePunk Co.! ‘PASHUN’ is a comedic theatrical exploration of gender and relationships, infused with fantastic absurdist techniques. Written by Harrison Mills, it offers a unique night out that delves into the intersection of queer identity and the “straight minority.” Harrison Mills has skilfully interwoven absurdist techniques into the fabric of queer and heterosexual love, resulting in a profoundly thought-provoking experience. Throughout ‘PASHUN’, they masterfully employ stereotypes, drawing our attention to their nuances. From the hyper-masculine, reminiscent of an Andrew Tate figure, Sigma, to the unmistakable Starbucks-loving pink aficionado, Tiff, Mills has ingeniously crafted characters that evoke both love and disdain throughout the production. Under the direction of Joshua Price, the piece is minimalist but effective. The utilisation of packing boxe...